22 Oct 2023
My postcards have been printed, toned, and labeled. I will be drop them off at the post office tomorrow.
A note on the edition for this round. While printing this edition I finished my last box of Ilford MGIV RC Postcard stock, and had to finish the edition with Ilford MGRC 4x6 stock. This means that 2/3 of you will be getting prints on MGIV RC, and the remainder on MGRC. Printing on these two papers proved to be more of a challenge than I first thought. However, after some experimenting, and the help of Ilford's literature, I determined the following:
1. That MGRC needs to be printed with a 1 grade SOFTER contrast filter than MGIV RC.
2. The exposure for MGRC is 0.5 stop LESS that that for MGIV RC.
This brings one to the conclusion that if one still wishes to print using grade 2 filter (as one did with MGIV RC) using MGRC one must develop negatives that are softer by one grade. Unfortunately not many film manufacturers publish "contrast curves", so it becomes a recursive exercise to find the correct development time for your workflow. The above illustrates the joys of paper manufacturing changes.
My comments on cards received to-date.
"Frank Gehry Grey" from Rrrgcy is a wonderful example that not all photographs need a "full tonal range" to be good. I like how you kept contrast and shape in the high values. Question: Where did you find Kodak XX film? How fogged was the film?
"Gunnera Leaf, Cornwall 2023" from krnow is a wonderful cyanotype (my favorite alt process) on handmade paper. Your chemistry formulation, and exposure, gave very nice results. The gloss varnish gives the image some depth, and is something I would have never thought to do. Well done. Was this printed from a digital negative?
I am looking forward to seeing more wonderful work, and hope you like the image I chose for this round.
Regards,
Darwn