mushroom coffee
You can take the man out of Travis Co. ….
Very nice work, both—the first ought to get you thinking about Pt/pd, and while I usually don’t care for untoned cyanotypes, especially for landscapes, the original “blueprint“ really works for me, especially with the coating “inside” the negative.
From this winter at Sunken Pond. Usually I capture this on film, this time on digital, converted to B&W.
Beautiful!I had something similar in mind when I did this at the end of winter a few years back with a GW690 and Acros. Great Minds etc.
Scan of silver print:
View attachment 406495
Beautiful!
100%Right back at you.
The great thing about all this is that if you satisfy your own creative instincts without regard to the approval of others ... others will approve.
Beautiful!Another cyanotype print - 11x14. Toned this one with some sage and pine bark that I collected from the back yard.
Beautiful!
Another cyanotype print
Digging this one as well—how you’re holding shadow detail is a revelation for me. Btw, if you’re going the anthotype/botanicals route, did you happen to see Mary Thomas’ oak-gall toned cyanotype over on FB? No doubt expert lighting and technique all around, but the acutance of that print was fascinating.
Fantastic image. Have you tried printing this as a Kallitype as well?
Another cyanotype print - 11x14. Toned this one with some sage and pine bark that I collected from the back yard.
Great mood and poetic.
Nice…is that you, Paul?
Photographed on Ilford FP4+ rated at 80 ASA, and developed in Thornton 2 bath developer (4 + 5)
Intrepid 8x10 camera with the 240mm Schneider Symmar-S lens.
Fantastic image. Have you tried printing this as a Kallitype as well?
Yes, that's my workNice…is that you, Paul?
Yes, that's my work
You have that distinct aesthetic. Then confirmed with gear and developer used
Another cyanotype print - 11x14. Toned this one with some sage and pine bark that I collected from the back yard.
I like the roots cascading into the water.
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