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Sirius Glass said:
It also looks interesting with a long lens and a fisheye lens.
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I imagine it does. At the time I only had the 50mm for that camera (now have a 28mm as well).

This was my first trip out there and I found the scenery very compelling. We have nothing like it here in VA.

Chris
 
Leica CL / 40mm Heliar/TMax100/ Print on Ilford Classic FB
Pale di San Martino / Dolomites/ Italy
 
mtnbkr said:
I imagine it does. At the time I only had the 50mm for that camera (now have a 28mm as well).

This was my first trip out there and I found the scenery very compelling. We have nothing like it here in VA.

Chris
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135mm lens. I didn’t realize this was the Forest Gump location until I got home and Googled it. I was curious why so many people were there taking photos.

Highway 163, Utah by Bryan Chernick, on Flickr
 
BAC1967 said:
135mm lens. I didn’t realize this was the Forest Gump location until I got home and Googled it. I was curious why so many people were there taking photos.

Highway 163, Utah by Bryan Chernick, on Flickr
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Nice shot!

I wanted to get something similar, but there was a crowd of people taking pictures of themselves literally reclining in the middle of the road. It wasn't one shot and done, they were taking pictures over and over again.

Chris
 
BAC1967 said:
135mm lens. I didn’t realize this was the Forest Gump location until I got home and Googled it. I was curious why so many people were there taking photos.

Highway 163, Utah by Bryan Chernick, on Flickr
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Even if someone did not know about Forest Gump, the road is so straight and long with those two turns at the end, it just begs to be photographed. When I saw it the first time I did.
 
Sirius Glass said:
Even if someone did not know about Forest Gump, the road is so straight and long with those two turns at the end, it just begs to be photographed. When I saw it the first time I did.
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I saw it in my rear view mirror after leaving Monument Valley and had to stop for a photo. Most of the tourists were up the road a bit so was probably not in the ideal Forest Gump location. It's definitely a spectacular view.
 
Never done this before (image post). 6x9 no edit no crop no nothing just as it appeared. My rule is crop-only, at most. ISO 400 (don’t remember brand), 500, f11, Fuji GS and late 1930’s Ithaca 37 ribbed forend slide by my side. 1:30PM full dappling sun. With this camera (or maybe generally w 6x9) after rolls, I believe I’m not good at using it for macro or persons. Easily discouraged. Maybe will dedicate it solely for “natural” stuff. I’m assuming this is landscape. Maybe not the last field image. Matte finished. Florida. An hour of driving into rutted pockmarked barely graded dirt trails and 45 minutes more of walking in up to 2 feet of water. Much humping, somewhat unfriendly environs. Going to blow-up the middle image to 24” w a metallic finish. My lady said, “Where you going to put this? Stop wasting your money - when you get it keep it OUT of the house!” I welcome criticism. Just no more from home.





 
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Welcome and consider this an alternate save home or haven.
 
snusmumriken said:
@GregY I can't believe no-one has yet commented on that stupendous photo.
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Thank you! My recent trip (Aug-Sept 22) was the first time over to Europe again since before Covid....and it felt good to roam the Fr Alps and Italian Dolomites again.
 
Glasborn, Col du Linge, Alsace, France.
The foothills of the Voges mountains sticking out above the low hanging clouds, now so peaceful once a horrible war theater during WWI.
Excerpt from my book 'OPUS 14-18'

Shot with my erternal Hasselblad 500C/M + Planar 80mm on Tri-X in Pyrocat-HD, wet scanned on Epson 750.
 
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