OP
OP
It also looks interesting with a long lens and a fisheye lens.
Post your landscape photos here
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It also looks interesting with a long lens and a fisheye lens.
I imagine it does. At the time I only had the 50mm for that camera (now have a 28mm as well).
This was my first trip out there and I found the scenery very compelling. We have nothing like it here in VA.
Chris
135mm lens. I didn’t realize this was the Forest Gump location until I got home and Googled it. I was curious why so many people were there taking photos.
Highway 163, Utah by Bryan Chernick, on Flickr135mm lens. I didn’t realize this was the Forest Gump location until I got home and Googled it. I was curious why so many people were there taking photos.
Nice shot!
I wanted to get something similar, but there was a crowd of people taking pictures of themselves literally reclining in the middle of the road. It wasn't one shot and done, they were taking pictures over and over again.
Chris
OP
OP
135mm lens. I didn’t realize this was the Forest Gump location until I got home and Googled it. I was curious why so many people were there taking photos.
Even if someone did not know about Forest Gump, the road is so straight and long with those two turns at the end, it just begs to be photographed. When I saw it the first time I did.
I saw it in my rear view mirror after leaving Monument Valley and had to stop for a photo. Most of the tourists were up the road a bit so was probably not in the ideal Forest Gump location. It's definitely a spectacular view.
Near Bucksport, ME
Never done this before (image post). 6x9 no edit no crop no nothing just as it appeared. My rule is crop-only, at most. ISO 400 (don’t remember brand), 500, f11, Fuji GS and late 1930’s Ithaca 37 ribbed forend slide by my side. 1:30PM full dappling sun. With this camera (or maybe generally w 6x9) after rolls, I believe I’m not good at using it for macro or persons. Easily discouraged. Maybe will dedicate it solely for “natural” stuff. I’m assuming this is landscape. Maybe not the last field image. Matte finished. Florida. An hour of driving into rutted pockmarked barely graded dirt trails and 45 minutes more of walking in up to 2 feet of water. Much humping, somewhat unfriendly environs. Going to blow-up the middle image to 24” w a metallic finish. My lady said, “Where you going to put this? Stop wasting your money - when you get it keep it OUT of the house!” I welcome criticism. Just no more from home.
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OP
OP
Never done this before (image post). 6x9 no edit no crop no nothing just as it appeared. My rule is crop-only, at most. ISO 400 (don’t remember brand), 500, f11, Fuji GS and late 1930’s Ithaca 37 ribbed forend slide by my side. 1:30PM full dappling sun. With this camera (or maybe generally w 6x9) after rolls, I believe I’m not good at using it for macro or persons. Easily discouraged. Maybe will dedicate it solely for “natural” stuff. I’m assuming this is landscape. Maybe not the last field image. Matte finished. Florida. An hour of driving into rutted pockmarked barely graded dirt trails and 45 minutes more of walking in up to 2 feet of water. Much humping, somewhat unfriendly environs. Going to blow-up the middle image to 24” w a metallic finish. My lady said, “Where you going to put this? Stop wasting your money - when you get it keep it OUT of the house!” I welcome criticism. Just no more from home.
Welcome and consider this an alternate save home or haven.
Dice Head Light, ME
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OP
OP
Interesting line following the tree bases to the lighthouse base to the vanishing point.
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Frozen Cypress Swamp Dawes Arbor 4x5 Sinar Norma 90mm Norma Super Angulon HP5 D76 1:1 8x10 fibre print Fortezo #2 Dektol.
Frozen Cypress Swamp Dawes Arbor by Nokton48, on Flickr
Frozen Cypress Swamp Dawes Arbor by Nokton48, on Flickr
OP
OP
Frozen Cypress Swamp Dawes Arbor 4x5 Sinar Norma 90mm Norma Super Angulon HP5 D76 1:1 8x10 fibre print Fortezo #2 Dektol.
I can feel my feet slipping on the ice when I look at that photograph!
Moosehead Lake, ME
Linhof Technikardan S45, Scheider-Kreuznach Apo-Symmar L 5.6/150, Heliopan CPL, Lee 0.6H GND, Portra 400.
A Wind on the Heath by atomstitcher, on Flickr
A Wind on the Heath by atomstitcher, on Flickr
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Ouch!! Bet that stung!
Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, Heliopan CPL, Lee 81A, Provia 100F.
Lawrencefield Birches by atomstitcher, on Flickr
Lawrencefield Birches by atomstitcher, on FlickrWell she’s out of the country for a month so what she doesn’t know won’t hurt. Its replaced a watercolor and it’s okay. Boxed 20x30”.
Looking fabulous in situ!
That came out good.
Thank you! My recent trip (Aug-Sept 22) was the first time over to Europe again since before Covid....and it felt good to roam the Fr Alps and Italian Dolomites again.
Glasborn, Col du Linge, Alsace, France.
The foothills of the Voges mountains sticking out above the low hanging clouds, now so peaceful once a horrible war theater during WWI.
Excerpt from my book 'OPUS 14-18'
Shot with my erternal Hasselblad 500C/M + Planar 80mm on Tri-X in Pyrocat-HD, wet scanned on Epson 750.
The foothills of the Voges mountains sticking out above the low hanging clouds, now so peaceful once a horrible war theater during WWI.
Excerpt from my book 'OPUS 14-18'
Shot with my erternal Hasselblad 500C/M + Planar 80mm on Tri-X in Pyrocat-HD, wet scanned on Epson 750.
Callanish, Isle of Lewis, Scotland
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