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Montmartre, Paris 2017. Rollei 35S on Kodak Tri-X in my PC-512 Borax developer 1+50 for 6.75 mins @ 20C
L'église Notre-Dame de Saint-Père est une église située à Saint-Père dans le Morvan, dans l'Yonne en France1.
View on the deambulatorium from the south side.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
View on the deambulatorium from the south side.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
L'église Notre-Dame de Saint-Père est une église située à Saint-Père dans le Morvan, dans l'Yonne en France1.
View on the deambulatorium from the north side.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
View on the deambulatorium from the north side.
L'église Notre-Dame de Saint-Père est une église située à Saint-Père dans le Morvan, dans l'Yonne en France1.
Side aisle on the north side with tomb and pulpit.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
Side aisle on the north side with tomb and pulpit.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
L'église Notre-Dame de Saint-Père est une église située à Saint-Père dans le Morvan, dans l'Yonne en France1.
Outside the Narthex see from the south side.
Hasselblad SWC + K2 on Bergger...
The K2 filter not only accentuates the sky but separates the differences in the yellowish sandstone, the paler are younger due to a restoration.
Outside the Narthex see from the south side.
Hasselblad SWC + K2 on Bergger...
The K2 filter not only accentuates the sky but separates the differences in the yellowish sandstone, the paler are younger due to a restoration.
OP
OP
Well, I see that your subjects will stay still for you and you do not have to chase them around in the viewfinder.
Well, I see that your subjects will stay still for you and you do not have to chase them around in the viewfinder.
How cynically this comment might appear, you'r absolutely right, they are standing proudly up right for over 1000 years...
Sometimes they deteriorate, burn, are bombarded, mistreated, neglected, vandalised to say the least.
But, these are the exponents of our cultural heritage, the landmarks of our evolution, history, personality; the burden of the past and the signposts to the future.
See my images as a genuflection for the generation who could accomplish these architectural gems with a lot of hard and painful trial and error!
Here you see the place where the original church stood before it was destroyed during 'la Guerre de Cent Ans', that 100 years lasting war opposing the dynasty of the Plantagenêt and the Capétiens.
That place was left empty as a reminder...
Sherborne Church, England
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O1VSK by Ivo Stunga, on Flickr
URBEX LV : Infrared by Ivo Stunga, on Flickr
URBEX LV by Ivo Stunga, on Flickr
Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, Portra 160.
York Minster, Kings' Screen, Grand Organ, South Transept & Rose Window, alt. by atomstitcher, on Flickr
York Minster, Kings' Screen, Grand Organ, South Transept & Rose Window, alt. by atomstitcher, on Flickr
Basilique Sainte-Marie-Madeleine de Vézelay, ancienne abbatiale française du XIIe siècle située à Vézelay, dans le département de l'Yonne en Bourgogne-Franche-Comté, France.
Side aisle on the north side with the stair to the Crypt.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
Side aisle on the north side with the stair to the Crypt.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
Silos, Kansas (revision)
OP
OP
I like it!
Basilique Sainte-Marie-Madeleine de Vézelay, ancienne abbatiale française du XIIe siècle située à Vézelay, dans le département de l'Yonne en Bourgogne-Franche-Comté, France.
Side aisle on the south side, view towards the narthex. This is the older part of the basilica, in roman architecture, much 'darker'.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
Side aisle on the south side, view towards the narthex. This is the older part of the basilica, in roman architecture, much 'darker'.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
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Thanks Sirius.
Basilique Sainte-Marie-Madeleine de Vézelay, ancienne abbatiale française du XIIe siècle située à Vézelay, dans le département de l'Yonne en Bourgogne-Franche-Comté, France.
A view on the narthex from the inside.
The narthex was built a little 'later' and has more daylight coming in because of the larger windows.
BTW: I made a mistake in the comment of the previous photo, it is the aisle on the NORTH side, not the south side, sorry.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
A view on the narthex from the inside.
The narthex was built a little 'later' and has more daylight coming in because of the larger windows.
BTW: I made a mistake in the comment of the previous photo, it is the aisle on the NORTH side, not the south side, sorry.
Hasselblad SWC no filter, on HP5+ @ 1600ASA (full open aperture and 1/30sec, handheld in ambient light) in FX-55 30min at 20°C (normal agitation), dry scanned on Epson 750.
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