I have been playing with the new toy for two days non-stop. At this point, I have gone through all available documentation cover to cover, and explored every single feature of Silverfast, so whatever I am posting here won't be too wrong 
Hardware
As I said in another thread, the hardware is OK. There are only two things I want to complain about:
Software
Silverfast is easy to use, by that I mean it is easy to understand, it isn't complicated. But it is very hard, and I mean it, very very hard to use because it is made by imbeciles with zero attention to detail and no empathy for a user. My list of Silverfast bugs is long, and I have been only been using it for two days! My "favorites":
Speed
As I wrote earlier this scanner makes zero sense for 35mm film scanning because DSLR scanning is 5x faster. Get yourself a nice negative carrier (similar to Negative Supply) and a macro lens and you'll be all set. However, inverting color negatives is significantly faster in Silverfast vs doing it manually in Photoshop. Thus, for color, the slow scanning and fast inversion cancel each other out. I will stick to camera scanning with manual inversion for 35mm to avoid exposure to Silverfast (remember, it gives you cancer).
So the rest of this post will be strictly about scanning 120 format.
Focus and Resolution
Focus-adjustment feature works well for 35mm. You launch a lens calibration utility, seemingly made by Plustek. The utility produces 11 scans at various focus settings, ranging from -5 to +5. I found that on my copy the -3 setting produces the sharpest grain. However, I did not see any difference between all 11 scans when the tray was set to 6x6/6x7, I do not know why. I will provide full-size samples below, so be the judge to see if extra detail is even needed. I do not have a proper focus target (I do not even have any high-resolution films) but if I were to estimate, I'd say its true optical resolution lies somewhere between 4,000 and 5,000 DPI. For medium format film, it absolutely crushes my 24MP DSLR in resolution department. Full-sized 6x6 scans are huge and even downsampled to 7,000x7,000 pixels are insane.
Image Quality
The dust removal feature works well. Again, Sivlerfast keeps turning it off between the strips, so you have to remember to punch it back. But other than than, I will not be sharing my thoughts on image quality. So much of it depends on personal taste, on knowing how a scene looked like and on various Silverfast settings. Instead, I will post some samples and will let you decide for yourself.
First, let's look at some color. Again, I did not have any resolution targets shot from a tripod. Instead, I had a backlog of 9 films that needed to be scanned, so I'll share what I had.
The samples below were made with:
This is Ektar 100. The focus is not at infinity, look a bit closer. I applied the appropriate color preset in Negafix, but had to compensate for some red tint and reduced saturation a bit. This one is downsampled:
The same image, but scanned at full-resolution at 5,200DPI (large download):
https://d3ue2m1ika9dfn.cloudfront.net/sample-color.jpg
And here's the "RAW" scan, i.e. the linear output from the scanner with zero Silverfast interference, IIRC @Lachlan Young asked for it:
https://d3ue2m1ika9dfn.cloudfront.net/sample-color-raw.zip
B&W Sample
Downsampled:
Full-res scan:
https://d3ue2m1ika9dfn.cloudfront.net/sample-bw.jpg
Conclusion
I will be returning mine because it has two defects:
Is it worth $2,200? It pains me to admit that for medium format shooters, possibly yes, due to zero competition. Unless you can find a good deal on a better used hardware...
[EDIT]
Banding Issue
People have asked to provide examples of banding. Here are some shots. Look in the skies 2/3rd down on the right side. It's subtle but when you see it you see it:

Hardware
As I said in another thread, the hardware is OK. There are only two things I want to complain about:
- Noise. Maybe I am pampered, but my Epson V600 and DLSR scanning methods have been a lot quieter. Strangely, I am getting used to it quickly.
- When the scanner is "cold" (freshly turned on) the tray is not recognized. Silverfast and Plustek's own calibration utility will ask you to "insert the tray and press OK" (even though the tray is in the scanner). You pull it out, you insert it back in, it goes in/out with the usual drama for 20 seconds. Then it stops, you press OK and get the same message. I have not found a reliable and repeatable way to get out of this, I just keep turning it on/off and re-inserting the tray until it "kicks-in". Takes 10-15 minutes and quite infuriating.
Software
Silverfast is easy to use, by that I mean it is easy to understand, it isn't complicated. But it is very hard, and I mean it, very very hard to use because it is made by imbeciles with zero attention to detail and no empathy for a user. My list of Silverfast bugs is long, and I have been only been using it for two days! My "favorites":
- It misclassifies tray types. It thinks that 6x7 tray is 6x4.5 so every time you reload a new strip, it resets to the wrong type forcing you to double-prescan. This adds significant time.
- It keeps resetting your settings to its own defaults. Not once, never, I asked for a 24-bit scan, yet that stupid switch keeps getting reset to 24-bit. I never asked for a 300dpi scan, yet that setting keeps going back to 300dpi. Basically every time you reload the film, you have to re-configure everything from scratch as if you just freshly installed it.
- IT8 calibration cannot recognize its own calibration target (made by LaserSoft and included with the scanner)
- It crashes (the window just disappears) every hour or so
- It manages to inject a slight color cast to B/W scans even though Negafix profile is set to Ilford HP5+. How's that possible?
- You want to pre-scan the tray, set boundaries of your frames and hit "Batch scan". This is obviously what everyone wants. Noooo. Silverfast wants you to click "Overview" button which will produce a postcard-sized preview of the tray, where you have to adjust the frames to left/right but you can't shrink them. Then it forces you to pre-scan each image again (switching to 300dpi and 24-bit to make it really count), so you're basically spending 5-10 minutes helping it find the negatives in its own holder.
- It takes a very very long time to "process" an image, whatever that means, after scanning. A couple a minutes, at least. I have no idea what it's doing, because I turn all "auto" settings off, including USM.
- Alright then, if your programmers are not smart enough to process images at comparable speeds to other image-editing apps, can you at least do this in the background and let me scan? Noo-o-o, it will sit there for minutes, in silence, not scanning, in "processing" state, because nobody at LaserSoft ever heard of multi-processing.
- At every corner Silverfast finds a way to infuriate you. For example when you're doing a tray pre-scan, it will not show you the image right away. Instead, it will show you the message "waiting for tray to return to position" with accompanying "vzzzzzzzz" sound for 15 seconds, and ONLY THEN you are allowed adjust the frame. It wants you to wait until the tray returns to its original position. Having a tray in that position is important to Silverfast.
Speed
As I wrote earlier this scanner makes zero sense for 35mm film scanning because DSLR scanning is 5x faster. Get yourself a nice negative carrier (similar to Negative Supply) and a macro lens and you'll be all set. However, inverting color negatives is significantly faster in Silverfast vs doing it manually in Photoshop. Thus, for color, the slow scanning and fast inversion cancel each other out. I will stick to camera scanning with manual inversion for 35mm to avoid exposure to Silverfast (remember, it gives you cancer).
So the rest of this post will be strictly about scanning 120 format.
Focus and Resolution
Focus-adjustment feature works well for 35mm. You launch a lens calibration utility, seemingly made by Plustek. The utility produces 11 scans at various focus settings, ranging from -5 to +5. I found that on my copy the -3 setting produces the sharpest grain. However, I did not see any difference between all 11 scans when the tray was set to 6x6/6x7, I do not know why. I will provide full-size samples below, so be the judge to see if extra detail is even needed. I do not have a proper focus target (I do not even have any high-resolution films) but if I were to estimate, I'd say its true optical resolution lies somewhere between 4,000 and 5,000 DPI. For medium format film, it absolutely crushes my 24MP DSLR in resolution department. Full-sized 6x6 scans are huge and even downsampled to 7,000x7,000 pixels are insane.
Image Quality
The dust removal feature works well. Again, Sivlerfast keeps turning it off between the strips, so you have to remember to punch it back. But other than than, I will not be sharing my thoughts on image quality. So much of it depends on personal taste, on knowing how a scene looked like and on various Silverfast settings. Instead, I will post some samples and will let you decide for yourself.
First, let's look at some color. Again, I did not have any resolution targets shot from a tripod. Instead, I had a backlog of 9 films that needed to be scanned, so I'll share what I had.
The samples below were made with:
- No USM
- Film profile in Negafix
- No "auto" for anything like HDR, contrast, etc.
This is Ektar 100. The focus is not at infinity, look a bit closer. I applied the appropriate color preset in Negafix, but had to compensate for some red tint and reduced saturation a bit. This one is downsampled:
The same image, but scanned at full-resolution at 5,200DPI (large download):
https://d3ue2m1ika9dfn.cloudfront.net/sample-color.jpg
And here's the "RAW" scan, i.e. the linear output from the scanner with zero Silverfast interference, IIRC @Lachlan Young asked for it:
https://d3ue2m1ika9dfn.cloudfront.net/sample-color-raw.zip
B&W Sample
Downsampled:
Full-res scan:
https://d3ue2m1ika9dfn.cloudfront.net/sample-bw.jpg
Conclusion
I will be returning mine because it has two defects:
- Horizontal banding (in the same place) visible in clear skies, not on the samples posted though. I believe this is a defect, not a "feature".
- My scanner came with a scratched calibration target. I suspect the scratch is the reason the target is not recognized by Silverfast. And without the calibration, it is tiresome to deal with the same red tint on all scans regardless of the emulsion (I've tried Portra 160, Portra 800, Ektar and Ultra Max 400).
Is it worth $2,200? It pains me to admit that for medium format shooters, possibly yes, due to zero competition. Unless you can find a good deal on a better used hardware...
[EDIT]
Banding Issue
People have asked to provide examples of banding. Here are some shots. Look in the skies 2/3rd down on the right side. It's subtle but when you see it you see it:
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