Since switching to TF-4 I've seen quite a visible increase in stain formation.
I started using TF-4 fixer a little while back. I can't say I've had all much experience with it yet. Recently I've been processing a lot of HP5+, and it's been having a lot of trouble getting the pink stain out. At first I tried a second washing, where I let the negatives in water for 5 minutes, and put them through some washing with 5 changes of water. The washing procedure used 5, 10, 20, 30, 40 inversions each change. This didn't really do much of anything.
So I mixed up a batch of TF-3 fixer from stuff I have a hand, and I fixed it a second time. I washed it again with the same procedure, and this did the trick. Every time since I've been fixing HP5+ twice. Has anyone one else experienced this with this combination? I didn't expect I would have to fix HP5+ like it was TMax.
I haven't fixed many films with TF-4 yet. So far, Ilford Ortho 80 hasn't had this issue, while Acros II needed to be fixed twice. One thing that's kind of odd is this didn't happen with the 4x5 version of HP5+. I didn't expect format to make any difference. The formats I've tried so far are are HP5+ in 120 and 4x5, Ortho 80 in 120, and Acros II in 35mm. Other than that, I haven't used TF-4 with any other types of film yet.
It might help if you were to show us the negatives so we may see the extent of the pink stain. I wasn't clear from koraks post if the magenta dye in inherent in HP5+ and that a little of this remains at all times. However it seems that Ilford has confirmed this I must say that I have never seen any such dye remaining in the negatives after processing or it appearing in either the fix or wash during processing
Yes I only use Ilford Rapid Fixer. Can there be a link between the formation of a pink dye and the use of TF4. Maybe if that dye is in HP5+ something in TF 4 brings it out? If so I wonder why?
Andrew O'Neill is a big user of HP5+ and pyrocat HD and has found that Ilford Rapid Fixer makes no difference to the Pyrocat HD stain i.e, it does not remove it. He demonstrates this in a video
As a user of HP5+ I wonder if he has ever seen a magenta dye in the negatives?
pentaxuser
A teaspoon of Sodium sulfite in a liter of water after a post-fix rinse will eliminate any remaining dye
Why does this make me think of Mary Poppins???
Why does this make me think of Mary Poppins???
Some people wind up fixing the crap out of their negatives trying to drive out every trace of stain
I have used TF-3 and TF-5 and found that a hypo-clearing agent (HCA) and a good water wash will eliminate the pink stain. Since Sodium Sulfite is the primary ingredient in HCA, this says the same thing as Matt.
If you want to read lots about "pink", we have a Photo Engineer Sticky thread on it - 6 pages!
https://www.photrio.com/forum/threads/pink-magenta-stain-not-blue-which-is-a-different-issue.69462/
"Hello pentaxuser. There have been no replies in this thread for over 365 days.
Content in this thread may no longer be relevant.
Perhaps it would be better to start a new thread instead" .
- I know that this is an old thread, but I want to reply to it anyway.
I'm not sure if you missed the Julie Andrews related reference:
And yes - try HCA or another sulfite based wash aid.
Totally OT: I was yesterday years old when I learned that Chitty Chitty Bang Bang was written by Ian Fleming of James Bond fame ...
I started using TF-4 fixer a little while back. I can't say I've had all much experience with it yet. Recently I've been processing a lot of HP5+, and it's been having a lot of trouble getting the pink stain out. At first I tried a second washing, where I let the negatives in water for 5 minutes, and put them through some washing with 5 changes of water. The washing procedure used 5, 10, 20, 30, 40 inversions each change. This didn't really do much of anything.
So I mixed up a batch of TF-3 fixer from stuff I have a hand, and I fixed it a second time. I washed it again with the same procedure, and this did the trick. Every time since I've been fixing HP5+ twice. Has anyone one else experienced this with this combination? I didn't expect I would have to fix HP5+ like it was TMax.
I haven't fixed many films with TF-4 yet. So far, Ilford Ortho 80 hasn't had this issue, while Acros II needed to be fixed twice. One thing that's kind of odd is this didn't happen with the 4x5 version of HP5+. I didn't expect format to make any difference. The formats I've tried so far are are HP5+ in 120 and 4x5, Ortho 80 in 120, and Acros II in 35mm. Other than that, I haven't used TF-4 with any other types of film yet.
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