michr
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- Sep 28, 2012
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Have you used the "MyDrone" photography app yet? You download the app, and select from a series of locations (where MyDrone is operating) and then choose what time of day you'd like the camera drone to fly for you. You don't operate the drone's flight controls, but from the drone view on your screen you do press the "shutter button" whenever you like during the flight time you bought. Each photo you take is sent back to your computer as a JPG.
Questions:
When someone posts, or prints and displays the image from the drone, do they list themselves as "photographer?"
Is there any photographic meaning to being somewhere, and seeing something with your own eyes, while making a photograph?
Suppose, it eventually leaks out that the drone wasn't flying in real time for YOU, but that a movie, previously shot, was playing and you were essentially just snapping stills from that movie. Is the image still "your photograph?"
Is there any philosophical difference then between selecting a photograph and making a photograph?
Is "snapping a still from a remote webcam" also photography?
How about "ordering" a photograph through descriptors from a service that maintains billions of photographs in a catalog that you can claim as a one off?
What is the essence of photography, that without it, it becomes something else?
Disclaimer: I know of no such "drone service" right now. These ideas are just possible futures that will impact the meaning of photography.
Outside of philosophy, I know legally, at least in the USA, that automated recording, like from a drone in your example, or a CCTV feed, has an owner, but no copyright. It's only the process of human intervention and selection that assigns copyright. I think similar issues were discussed in the monkey selfie copyright case recently.
If you're snapping stills of a movie, then it's either under copyright because it's an actual creative product, or it's just a video feed that's being replayed on a time delay, so again, you might be able to claim copyright on the individual selection of images.
You're getting into a bit of a gray area with regards to copyright and ownership. If you're not already familiar with the work of Richard Prince, you should be. He explores appropriation aggressively. A good example of this phenomenon is Duchamp's "fountain". He famously presented a urinal as a sculpture. He neither fabricated nor commissioned this piece. It was entirely someone else's work. Yet he is celebrated for recognizing it's artistic merit (or for trolling the art world, if you like).
If you were somehow paralyzed, but could direct another person to work a camera, where to aim it and so forth. You would still be the photographer.
I think ultimately, the point where photography happens is where the person uses their mind to select a portion of time from a scene, and that gets reflected into something viewable by others. That's the minimal creative contribution necessary to be the photographer. Everything else has an element of craft.