since they're under new management
Kodak used the "INSTAMATIC" label on several of their 110 cameras too -- leading to a lot of confusion, especially when they wanted to buy "Some Instamatic film, please!".
http://www.subclub.org/shop/kodak.htm
Well, to be clear, they're not. They're under new ownership. This may of course have implications for management especially after the initial phase under their new owners that they're presently in.
Investors generally don't decide on the launch of new products/product lines. They tend to focus on financial performance, and may assist in bringing resources (e.g. managerial competence or additional financial resources) to the company that could aid in such matters. But that's more in the area of facilitation and creating favorable conditions; not so much taking on managerial responsibility.
Ownership is management. This is a small hands-on private investment firm that bought the company. They're not going to sit around collecting coupons.
Ownership is management.
Yes, duly noted @Henning Serger and you're right. Let's end the KA diversion here.
Instamatic vs. Pocket Instamatic. Easy, no?
Easy? No. Kodak didn't use the word "Pocket" on all of its Instamatic cameras that used 110 film. Only a few of them were labeled "Pocket Instamatic". Some were simply labeled "Tele-Instamatic", "Mini-Instamatic", and "Instamatic", with no "Pocket" at all.
(1974) After Kodak's original line of Pocket Instamatics in 1972, Kodak unveiled a similar line of 110 cameras in 1974 that were similar in many ways, and were simply called "Instamatics" -- dropping the "Pocket" -- although they were just as small and light, if not more so.
And they we’re all pieces of crap. I had one and left it in a taxi in Sao Paolo. Good riddance.
And they we’re all pieces of crap. I had one and left it in a taxi in Sao Paolo. Good riddance.
And they we’re all pieces of crap. I had one and left it in a taxi in Sao Paolo. Good riddance.
Yes, the optics were truly bad,
Talk about stereotyping.
Many 110 cameras had top-notch lenses. Minolta, which had produced 16mm camera for many years before the Kodak 110 cameras,. They put their high quality 16mm lenses in their 110 camera as well. And even Kodak developed special lenses for some of their 110 cameras. The Ektramax (it was not labeled "Pocket" or "Instamatic") had a 25mm f1.9 four-element, focusing lens with an aspheric element. Edge-to-edge sharpness, even wide open.
Everyone is entitled to their opinion, and while most 110 camera were mediocre, some were top notch. Even Leica made 110 cameras, for Pete's Sake. No one ever called them "crap". And Pentax's 110 SLR cameras with several wide-angle to tele-photos lenses. Even a ZOOM lens? No one calls them "crap". And they are still used today -- because they were so well made!!!
And they we’re all pieces of crap. I had one and left it in a taxi in Sao Paolo. Good riddance.
OK, back to the Pentax 17.
And they we’re all pieces of crap. I had one and left it in a taxi in Sao Paolo. Good riddance.
At my Darkroom Group meeting yesterday my friend who has the Pentax 17 was making some work prints from his negatives, in advance of creating some diptychs for Exhibition prints.
They looked really good, and really surprised my other friend at the meeting, who hadn't really appreciated before the capabilities of half frame.
So we doubled down, and described what standard fare movie theatre films used to consist of - vast numbers of half frame images, each blown up to fill the big screen!
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