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Old Cameras in Old Movies

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I think that sometimes the person who is responsible for providing props is actually a camera enthusiast.
 
For the movies I hinted at, I would not say so, unless the movie is about photography. In one movie it seems to have been a case of product placement.
In the last movie I hinted at all the photo scenes are of no interest to the plot at all. Thus for no obvious reason one character was depicted as (semi-)professional photographer sporting even two cameras the same time. That one was a brand-new, the other an old one makes senses as the old one was the only spread winder camera and it was a scene with action.
 
Bill Murray with a Brooks-Veriwide in Ghostbuster II.

gb2a.jpg
 
Leitz Panphot photomicroscope


"Achtung! Feind hört mit!" (Warning! Enemy is listening!) Germany, spy/propaganda-movie 1940

Intro-cene at research lab of german wire manufacturer.

As a side note: the hallway of that lab is emmitting "invisible rays that are´destroying the silver layer of any photographic exposure".

upload_2018-11-15_2-22-57.png
 
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Osram Vacublitz flash-bulb

used without reflector, in B-mode with triggering the bulb at its holder.

(from sam spy-movie from above)

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The camera used for spying

upload_2018-11-15_11-57-32.png
 
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Bolex H16 F25
with horizontal grip and Gossen Lunasix meter with hardcase

"Das Wirtshaus von Dartmoore" (The Darmoore Tavern) West-Germany, crime movie 1964


upload_2018-11-16_2-15-35.png


upload_2018-11-16_2-17-48.png
 
Mamiya Press Camera
w. rollfilm back and (likely) Elektronik Cornet flash

forensic photography at corps location

"Der Kommissar" episode "Der Tote im Regen" (The dead Man in the Rain) West-Germany, TV crime series 1969

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upload_2018-11-18_14-22-25.png
 
Debrie Parvo L

"The Man with the Movie Camera" USSR , 1929

The title says it all...
 
Yes, the Bolex finder is a reflex finder. The photos I looked at for comparison have the wrong caption. My fault not to have realized that. (Better to check with original ads, broshures or manuals...)
 
2 filmlights driven by 2 battery packs
(I am unaware of the make, maybe someone knows)

Used on location as fill-in for fashion photography with Rolleiflex TLR.

"Der Kommisar" episode "Kellner Windeck" , West-Germany , TV crime-series 1971

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Exakta Varex
w. WL finder and unidentified electronic flash

Used for forensic crime scene photography.
At oblique downward photography a WL finder gets impractical. One at least could hold up the camera above ones head, with the lens facing down. Instead the photographer in this case used the plain frame finder. Hard to imagine at about 1m focusing distance even with flash. Hard to imagine anyway at a crime scene not using a prism finder, or in this case have both finders at hand.

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The movie shows further:

Land camera model 80
Leitz Panphot photomicroscope
Goldmann-Herlangon ULF camera in portrait studio
Praktina
Praktica FX with unknown bulb flash
Meopta Optirex epidiascope
another electronic flash w. generator
Meopta Multifax 6x9 enlarger
Meopta Axomat 35mm enlarger
several scenes outside and inside walk-in photo-studio

In the introductory scene the protagonist seemingly packs both Type-120/127 and -135 films, but only got one camera with him... (But one of the boxes has a weird text, so I might be complety off.)



"Strach" (Fear) crime movie , CSSR , 1963

 
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Here the Land camera model 80 from above czechoslovakian movie:
Used by a police detective himself at corps location.

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The camera is not operated right, but instead the film chamber is opened and a ready-made positive is taken out !

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...
The camera is not operated right, but instead the film chamber is opened and a ready-made positive is taken out !
...

I am certain Dr. Edwin Land saw this movie and was influenced to develop integral film for the SX-70 nine years later.
 
But I better not imagine someone from Linhof of Gitzo watched "Peeping Tom" back then....
 
For the unknown SLR I think I am very clos by saying Minolta SR-7, though at the left side of a the cover that seenms rather a circular cap, than a rectangular bulge as in the SR-7.
 
In "Thunderball" James Bond uses an early Nikonos I to shoot underwater pics, although he uses it wrong, it doesn't really shoot rapid fire pics when you push the rewind knob.

It also does not, as shown later in the film, double as a radiation detector, nor will the lens fall off if the bad guy just slaps it out of the pretty girl's hands.

But: Nikonos.
 
For the unknown SLR I think I am very clos by saying Minolta SR-7, though at the left side of a the cover that seenms rather a circular cap, than a rectangular bulge as in the SR-7.

The SR-7 has an unique circular light meter on the right side of the front of the camera.nt lever.

Minolta_SR7.jpg
 
Not unique as the Canon FX has got the same.

The only difference between those two cameras in context of that still is the cap at the left small side.
 
I'd say it's a Canon FX because it is possible to perceive the black plastic hot contact for the flash at the top-back of the pentaprism, near the front of the photographer. Also, the hinge of the Minolta pentaprism is not visible and the slight greyish circle on the pentaprism seems to be the capital C of canon (with a bit of fantasy :smile: ).
 
You are a stickler for detail;-)

I am also a collector of watches and it is the same thing in films. I recently watched The American and his Speedmaster beeps ;-)



In "Thunderball" James Bond uses an early Nikonos I to shoot underwater pics, although he uses it wrong, it doesn't really shoot rapid fire pics when you push the rewind knob.

It also does not, as shown later in the film, double as a radiation detector, nor will the lens fall off if the bad guy just slaps it out of the pretty girl's hands.

But: Nikonos.
 
"Какая у вас улыбка" (I guess: Please Smile) comedy , USSR , 1974


Zenit 1

used for streetphotography
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The guy takes it even at his work.
(hanging in ever-ready case on the ladder):
upload_2018-12-2_15-10-40.png


In his private darkroom he does an enlargement by projecting onto paper on the ground and processing by sponge with the paper on a board standing upright in the tray:
upload_2018-12-2_15-58-32.png


Further to see:

GOMZ FK 13x18 field camera (in studio) with wooden film/plate holder
upload_2018-12-2_15-39-51.png

GOMZ FKR 30x40 studio camera
upload_2018-12-2_15-42-45.png


and 4 sorts of studio-lights
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Moskva 2 or 4

"Tри процента риска" (Three Percent Risk) test-pilot drama USSR , 1984


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