Another testament to the above:
View attachment 316888
Source: https://www.photomemorabilia.co.uk/Ilford/Chronology - Intro.html
Although not illustrated it does say the negatives are rinsed after development.
It's also worth noting that pre-WWII fixers were much simpler and sold as raw chemicals, so the 1940 Kodak Ltd Professional Catalogue lists Hyypo (Sodium Thiosulphate) and Potassium Metabisulphite.
The history of Stop Baths and Fixers appears to be over-looked
Ian
I'm thinking that that Ilford chart doesn't show an acid stop because all the vinegar in England was needed for the chips.
It's a fascinating topic; before the photo forums, I was only aware of the liquid fixers (FF-2 from Fotokemika), now I'm all too confused with two bath/double strength/sodium/1-minute/alkaline and what not fixing technique, and now alkaline stop baths...
I don't think I ever heard that there were pitched battles over stop bath until the internet.
That may be because in truth the pitched battles may be caused by the entrenched position taken on the subject by a few rather than a true "fight to the death" for the real and only truth
pentaxuser
I think maybe one of Haist's concerns about uneven continuation of development with a water bath instead of stop is unevenness in the time it would take the water to mix into the emulsion to dilute the developer, not just the pour-in time, but this is a total guess. (For dilution you need some large number, say 10-20 units of water to contact each unit of developer, but for altering the pH you only need of order 1 unit of stop to reach each unit of developer.)
My Kodak (USA) Reference Handbook from 1946 discusses acid stop baths with the conventional reasons for use, and also gives formulae for SB-1 through SB-5 - includes acetic acid, chrome alum, and hardening stop baths. It has formulae for developers and fixers, but also an extensive list of which chemicals are sold in premade packets or containers, so that was already common practice in the US in 1946.
I learned to use acid stop bath when learning in the 1980s from Kodak manuals, books, and older relatives. I don't think I ever heard that there were pitched battles over stop bath until the internet.
Is it better than acid fixers for the environment ?
It washes out of film and papers more easily, so usage can decrease water usage.
Just reviving the topic of alkaline stop bath promoted by John Finch.
Is it meant to improve the archival properties of the film ?
Improve the amount of stain left on the negative thereby improving the contrast in the final prints ?
Is it better than acid fixers for the environment ?
It would be nice to see final test results of both negatives and prints comparing acid and alkaline stop baths.
I do not recall seeing proof of the pudding anywhere.
Just reviving the topic of alkaline stop bath promoted by John Finch.
It would be nice to see final test results of both negatives and prints comparing acid and alkaline stop baths.
I do not recall seeing proof of the pudding anywhere.
you think you are getting some advantage from
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