Europan
Member
Of course do I know DS-8. The thing with that format is the relative scarcity of cameras.
There are the following makes:
I have a GIC 9.5 camera and projector. I have a Beaulieu Reflex 9,5. Next projector will be a Cinéric 9½. Colorcity of Epinay responded to my request for black-and-white 9½mm film lately that they can’t find any suitable stock to convert from. Colorcity hosts an old slitter-perforator from Kodak-Chalon that belongs to the Ciné-Club 9,5 of France. I understood that it is of no use to point them to Film Ferrania’s P 30 which they would certainly be able to purchase as unperforated 35mm strips. There are more stocks on the market in 35, some with a polyester base. It takes a little mechanical knowledge and care for the equipment (which I happen to have) in order to be able to convert such, actually only a fine-grit wheel on a bench grinder to sharpen the tools. Ignorance prevails.
There are the following makes:
- Meopta Admira 8 G 2 Supra, 1966
- Elmo C-300, 1966
- Pathé WEBO M DS-8, 1966
- Krasnogorsk Quarz M, 1968
- Arriflex DS-8, 1970
- Canon Zoom DS-8, 1971
- Krasnogorsk Zenit Quarz S-3, 1971
- Lomo Aurora 2 Super, 1977
- Ikonoskop A-Cam DS-8, 2007
I have a GIC 9.5 camera and projector. I have a Beaulieu Reflex 9,5. Next projector will be a Cinéric 9½. Colorcity of Epinay responded to my request for black-and-white 9½mm film lately that they can’t find any suitable stock to convert from. Colorcity hosts an old slitter-perforator from Kodak-Chalon that belongs to the Ciné-Club 9,5 of France. I understood that it is of no use to point them to Film Ferrania’s P 30 which they would certainly be able to purchase as unperforated 35mm strips. There are more stocks on the market in 35, some with a polyester base. It takes a little mechanical knowledge and care for the equipment (which I happen to have) in order to be able to convert such, actually only a fine-grit wheel on a bench grinder to sharpen the tools. Ignorance prevails.