Wow! Wonder how it would print on a diffusion enlarger? (Not sure it would help because scanner light is diffuse, but you never know… the line might disappear.
I was thinking about using drum scanner fluid on the negative carrier when i saw the picture of your damaged film.
This fluid makes a lot of damages invisible. Maybe it depends on the refractive index and the shape of the unevenness.
@mshchem not quite, because a crease would affect both sides. This is more like a very slightly etched uniform groove. Extremely faint and hard to see at a straight angle, but quite apparent if the light bounces just right like on some sections in the photo.
Ilford provided more detail:
"... one of our newer QC staff who wrote down the position of a gel backing line (yours) to be rejected by finishing, but in error got its position out by 100mm. So finishing actually rejected what was in reality a good slit, and the slit with your line, went unseen..."
So they caught it during QC but sometimes humans make mistakes. Things happen. No biggie. And I applaud Ilford for same-day response and transparency. Will continue to shoot exclusively Ilford B&W films.
Gulp! I'll check my stash of FP4. Did they say if it was limited to FP4 or others?
Edit: Yup. I've got a brick matching that batch number. I'll shoot off a roll and check it.
A check probably won't help. Based on Ilford's explanation, only one slit out of several slits was faulty in that batch. So if there were 10 slits coming out of the machine, for example, then a roll would have only a 1-in-10 chance of being bad. I suggest asking Ilford whether they will replace your brick. Or assume that naphtha in a glass carrier will conceal the flaw.
Gulp! I'll check my stash of FP4. Did they say if it was limited to FP4 or others?
Edit: Yup. I've got a brick matching that batch number. I'll shoot off a roll and check it.
I just processed a roll. After a quick glance, I couldn't see anything. Once they have dried, I will take a much closer look.
@pentaxuser I shipped the negatives to @albada who'll do a wet print and share the details.
Ilford provided more detail:
"... one of our newer QC staff who wrote down the position of a gel backing line (yours) to be rejected by finishing, but in error got its position out by 100mm. So finishing actually rejected what was in reality a good slit, and the slit with your line, went unseen..."
So they caught it during QC but sometimes humans make mistakes. Things happen. No biggie. And I applaud Ilford for same-day response and transparency. Will continue to shoot exclusively Ilford B&W films.
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