Jon Buffington
Subscriber
As the previous poster stated, this has nothing to do with Kodak. I just picked the info up of the pakon fb group (which is a user group, not affiliated with any manufacturer/company).Having used both a Kodak Pakon scanner and also a Noritsu lab scanner, I much prefered the color output of the Noritsu. Scans off the Pakon using Kodak software was the worst color I've ever seen off a professional lab scanner. It really made film look like crap. The rez may have been ok, but if the color isn't good, what's the point? Also the Pakon needed longer strips of cut film to put into it without jamming. The Noritsu allowed shorter strips. So I wouldnt have high hopes this new Kodak scanner would be much better. I also dont know why 120 keeps getting forgotten with Kodak. Last time I saw a Kodak Pro scanner be able to use 120 is with the HR500, and that scanner is well over 20 years old now. At least the Noritsu scanners (some of them) had the option for 120 trays.
As for color output of the Kodak Pakon f135+ (using PSI), I find Kodak color algorithms far superior and accurate to competition. I have owned one since 2012 so have 11 years and thousands of rolls scanned. Of course preference is subjective so horses for courses. We have options and anyone is able to use the device of their choice. This still in development scanner offers another option to the dwindling options we have and why I originally posted it.