Motiv
Member
My letter to KODAK, will reply with response. Please consider doing the same. We need to get together to save the future of film.
Dear Sir/ Madam
I am writing to you, motivated, and optimistic about the future of film. I am 27, and the owner of several film,
and digital cameras. I contact you as an individual with no opportunity of financial gain from the request that
I’m about to make, but first I must explain why I have written to you.
I have a son, who is nearly 2. He has had to endure, and embrace my love for film, even at such a young age.
He is the subject of many a picture. Sometimes he smiles, sometimes he skews his face, and sometimes he
even ignores me completely. I have captured moments of happiness, of sadness, and lots of temper tantrums.
These moments I will keep forever, and I can only thank you Kodak for allowing me to do this through the
medium of film.
When he turns 18 years old the pictures will be shown to an audience of many, and I hope that if he gets
married I will be able to embarrass him with these candid pictures. When he has children, I hope that he will
look at his old Dads pictures. I hope he will get the opportunity to feel the same excitement that I felt, as he
takes and develops pictures of his children.
I must apologize as I am sure this sentiment is very obvious, but film photography is a caring, delicate process
that enables us to take our time and interact with a moment. Not only in the split second of a shutter, but in
the anticipation of what the might be held in the film. For me, there is nothing more exciting than collecting or
developing images. It could be weeks, months, or years before the images are revealed. It is this anticipation
that creates a romanticism that cannot be recreated digitally. The resolution is immediate.
I reach out to you in hope that you might work with the analogue community to develop a new film camera,
not only for us, but for Kodak’s legacy. Soon there will be a shortage of working film cameras, and with a lack
of mainstream camera production we will be limited to new “toy” cameras, small start-ups and a few surviving
SLR, and system cameras. This has the potential to limit the amount of newcomers to the industry and in turn,
their exposure to film.
The future of film as hinges on the future of cameras. I applaud recent developments in bringing back older
films, and the infrastructure to support it. Without new cameras, the efforts that you have made would be
futile.
I look forward to you reply,
Dear Sir/ Madam
I am writing to you, motivated, and optimistic about the future of film. I am 27, and the owner of several film,
and digital cameras. I contact you as an individual with no opportunity of financial gain from the request that
I’m about to make, but first I must explain why I have written to you.
I have a son, who is nearly 2. He has had to endure, and embrace my love for film, even at such a young age.
He is the subject of many a picture. Sometimes he smiles, sometimes he skews his face, and sometimes he
even ignores me completely. I have captured moments of happiness, of sadness, and lots of temper tantrums.
These moments I will keep forever, and I can only thank you Kodak for allowing me to do this through the
medium of film.
When he turns 18 years old the pictures will be shown to an audience of many, and I hope that if he gets
married I will be able to embarrass him with these candid pictures. When he has children, I hope that he will
look at his old Dads pictures. I hope he will get the opportunity to feel the same excitement that I felt, as he
takes and develops pictures of his children.
I must apologize as I am sure this sentiment is very obvious, but film photography is a caring, delicate process
that enables us to take our time and interact with a moment. Not only in the split second of a shutter, but in
the anticipation of what the might be held in the film. For me, there is nothing more exciting than collecting or
developing images. It could be weeks, months, or years before the images are revealed. It is this anticipation
that creates a romanticism that cannot be recreated digitally. The resolution is immediate.
I reach out to you in hope that you might work with the analogue community to develop a new film camera,
not only for us, but for Kodak’s legacy. Soon there will be a shortage of working film cameras, and with a lack
of mainstream camera production we will be limited to new “toy” cameras, small start-ups and a few surviving
SLR, and system cameras. This has the potential to limit the amount of newcomers to the industry and in turn,
their exposure to film.
The future of film as hinges on the future of cameras. I applaud recent developments in bringing back older
films, and the infrastructure to support it. Without new cameras, the efforts that you have made would be
futile.
I look forward to you reply,