Sirius Glass
Subscriber
I did. You switched formats initially, sure you don't want to switch to Kinematics or that Fuji quick change holder?
Would those have any advantage?
I did. You switched formats initially, sure you don't want to switch to Kinematics or that Fuji quick change holder?
Haha.. that's great... thanks, but we have three film holders. Two 6x7 RB67 ProS, 10 shot, and a Graflex 6x9.Can I interest you in a roll film holder?
They're 4x5, hard to find and the Fuji's were pricey when new.Would those have any advantage?
take a fine point sharpie in the darkroom when loading--load first sheet, write a tiny "1" in the corner...same for all the rest. The "ink" will come off during development and leave an unexposed number--if you can't legibly write, then use a tally code i, ii, iii, iiii--easy to make lines in the dark--etc. very easy.
Nah... not going back, ... still using. Two backs loaded with color, and the third with Tri-XAfter a few times of doing this you will be back to using roll holders like the rest of us.
Yeah... that's true, but then were retarded, mean retired, so what else is there to do.This is starting to sound like it’s more work than it’s worth.![]()
Yes .. as noted in post 28 ... but as ChuckP, and just now Sirus, related its not an easy process.take a fine point sharpie in the darkroom when loading--load first sheet, write a tiny "1" in the corner...same for all the rest. The "ink" will come off during development and leave an unexposed number--
It will work for all six, eight or sixteen actually. But you still have to keep track of how you load them.Use nail clippers on the corners, with a system that correlates clips with septa.
Will work for at least 4.
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