That is the way I see it.This makes for a pretty inviting atmosphere.
They also sell a wide selection of mount adapters of standard real-life, serious cameras.
If you look at Magnum's contact sheets book, you'll see the "decisive moment" depended on multiple frames of near misses. The photographers knew what they were aiming for, and were on top of their technique, but reality rarely complies. The winners were surrounded by losers, but imagine how many rolls of film were expended by the same, equally skilled photographer with nothing to show for the effort. The SP genre is 0.01% hits for the exceptionally talented, a few a year at best. Most people are content with a handful of truly exceptional images in a lifetime.For one of my best friends, the late Louis Stettner, his pictures were not the result of “happy accidents “, but rather the results of highly trained and skillful eyes, hands and camera to produce a meaningful composition. This can also be said of several other of my friends who excelled in street photography. They did not depend on accidents since most co,posed full frame. Waiting for a “happy accident “ is like the Chinese farmer waiting for a rabbit to run into a stump because it happened once before.
That goes back to the pictorial movement of the c19th. Even that early in photography's technical development it was decided the medium was too objective for some tastes, purely representational and of no interest to "real" artists. So they made photographs look like paintings. The medium is still split along those lines. For some it's about Zeiss glass, 50 mp sensors and files the size of a set of encyclopaedias, for others its box cameras and purple film.Also promote flaws and deficiencies as valuable assets.
no clue why posting film stuff teens and 20somethings are doing is trolling.
if he put a link to young people in kodachrome magazine or a kodak blog, would it be the same ?
No it wouldnt
that's kind of weird ..
Obviously shooting Ilford is not cool and will not sustain a millennial's interest in film. It is entirely too predictable so there is no chance that artistic results will spontaneously occur.Would the discussion have gone the same way using this https://www.ilfordphoto.com/shooting-spring-alaska-film/ ?
Would the discussion have gone the same way using this https://www.ilfordphoto.com/shooting-spring-alaska-film/ ?
Obviously shooting Ilford is not cool and will not sustain a millennial's interest in film. It is entirely too predictable so there is no chance that artistic results will spontaneously occur.
Yes, a Olympus Stylus Epic and Kodak Portra. So the only thing cool about it is the RV and snowboarding? So maybe lomography isn't about lomography?In the lomo article hes using kodak!
Yes, a Olympus Stylus Epic and Kodak Portra. So the only thing cool about it is the RV and snowboarding? So maybe lomography isn't about lomography?
As I said 84 posts ago, they're both. Their products are fair game, as are any other manufacturer's.Lomography sets themselves apart because they're not just selling a brand, but a lifestyle and sense of community.
exactly ... photography
so why is it the OP is a troll ?
link to an article about photography,
on a website dedicated to photography ..
next thing you know
someone is going to post a link to a video series
by a well known tintypest and that person will be called a troll too ..
If only Lomography shared your enthusiasm for the final result over the camera. Lo-fi photography shouldn't mean a camera held together with gaffer tape that may fall apart on your third film. There are some beautifully made cameras with meniscus lenses, two element lenses and triplets that are a delight to use. There may be, in fact there probably are people who want to buy functionally inadequate but expensive cameras because of a caché they perceive in ownership, but I reckon there are more who want weird, romantic, impressionistic results but who don't know which cameras (cheap or expensive) provide them. That's a lack of information problem combined with a confidence issue. There's no buzz in buying a dusty old box with an unpronounceable name, even though that box may be exactly what the person is looking for.The sniffiness in this thread about Lomography is disappointing, it's like something I'd read on DP Review forums.
I tend to judge photos, on you know, the actual photo rather than what light box was used
When given to nice hands...
If only Lomography shared your enthusiasm for the final result over the camera
LOLyes and i even gave a reason why
Of course they can take good pictures, I used one back in the 1970s. They were sold with rubber snakes and whoopee cushions.Not sure what your point is here ? Just checked on the #dianaf feed on Instagram and there's a fair few images I like *shrugs*
Can the camera shoot good photos ? Yup.
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