Sorry, I was trying to answer that part of your question with the last part of my post.
Assuming both lenses are in good condition, when it comes to comparing cheap lenses to better lenses, and assuming you are printing close to full frame, at the centre of the image the resolution and the contrast is likely to be at least slightly less than what you would achieve with a better lens. Nearer the edges, the differences are usually more obvious. There also may be a difference in the evenness of illumination.
All of those differences are strongly related to how much magnification you are using. The 8"x10" or smaller prints are likely to be fairly similar in appearance. Anything requiring more magnification is more likely to show more differences.
Some of the more expensive lenses also offer some convenience features like illuminated aperture scales and switchable aperture range restrictions. Those features are nice, but not necessary, and there are really good lenses that don't have them.
There are additional differences if you are considering printing colour - better lenses tend to give better and more consistent results across the colour spectrum.
I've printed with and enjoyed using less expensive lenses - a 75mm Rodagon Ysaron is an example that comes to mind. If starting out with a less expensive lens is going to get you printing earlier, and more, I would say go for it.
Thanks for the tip, I haven't thought about this, will give it a try!Also, cleaning the neg and carrier with an antistatic brush prior to printing helps;canned air is expensive and just blows the dust around.
If your going to be printing color I would really give some thought a newer lens with modern coatings, and if you have deep pockets an APO lens. I haven't printed color in many, (and I mean many) years, getting set up to print color next week or so. Bought a LP 6X7 with color head, once it arrives and set up will be ready. I Rather than my Wollensaks will be my 60mm 5.6 Componon started to look at an APO lens, maybe a Nikon.
Man, is that obscure... and I am native French speaker! Apparently the glass carrier is called VEGACOLSET 67. It comes with an anti-newton glass and a few other accessories (such as a tube for the lens etc.). Mike, if you buy one, be sure that it is sold with all accessories unless you already have some. I don't feel like writing a full translation of the above text, but can provide you the important points if you wish. (also over the phone... we can discuss in pm)
A brief update - although I'm no further with a lens, I've managed to get a service in Asia to order the VEGACOLSET 67 locally and then send on to me. Hopefully this works out okay as it was very reasonably priced.
You got a good lens, at a decent price, you may need to find a retaining ring, at worse have the lens board drilled.
A retaining ring (aka jam nut) screws on to the threads at the back of the lens.
Some lens mounts have the threads built in to the hole - you just screw the (appropriately sized) threads on the back of the lens into that threaded hole, and you have mounted your lens.
Slightly more commonly, the lens mount has a slightly larger, unthreaded hole. You insert the (appropriately sized) threads on the back of the lens through that unthreaded hole, screw the retainer ring on to the threads on the other side of the mount, the retainer ring holds the lens against the board and you have mounted your lens.
Some lens mounts are just appropriately sized boards. As lenses come in a few different sizes, boards sometimes come with no hole in them, with the intention that you have the right size hole drilled to match your lens.
Other lens mounts are more complex than just boards - I think, but am not sure, your enlarger requires something more complex than just a flat board.
The negative to film distance generally has to be a bit less for 35mm than for M/F. On my Meopta Opemus this is solved by the lens board being domed and being reversed when changing between film formats.
Those mounts have both an optical (achieve appropriate magnification) role and a mechanical (avoid hitting something with the back of the lens) role.
I wonder if an extension tube like this might work for you: https://www.ebay.com/itm/m39-39mm-thread-extension-tube-26mm-long-/372643471294?redirect=mobile
Show us the lens mount you already have.
As I understand it, the SIRIOPLA is for 80mm through 100mm, and the VEGATUB is designed for 105mm and up - but I'm always at least a bit confused when it comes to Durst parts.The SIRIOTUB is for 50mm. The SIRIOPLA is for 80mm and up.
The SIRIOTUB is for 50mm. The SIRIOPLA is for 80mm and up.
Which means you (Mike Chalmers - the OP) have the 80mm lens on an incorrect mount - or at least a not-optimal mount.
And the SIRIOPLA may work with the 105mm lens if you limit the range of magnifications.
As for your question about the retaining ring, I can't tell whether the threaded ring on the mount shown is permanently part of the mount or whether it will come loose when you unscrew the lens. Try unscrewing the lens to find out.
Oops - sorry. I have been looking at too many photos of lens mounts. Does the enlarger work with a 35mm negative and that lens and mount?I don't have an 80mm - in the pics is 50mm - and I have 105mm on the way.
Oops - sorry. I have been looking at too many photos of lens mounts. Does the enlarger work with a 35mm negative and that lens and mount?
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