How do you agitate the exposure? I can see how some vigorous random exposure of things at the beginning of the exposure could help with a type of texture in the film. Will the scanner pick it up though? Will it give me the typical film look?
...i'm in the process of moving and noticed that I had a lot of camera stuff and then started wondering if any of it would make better pictures with a semistand exposure? i have 4 tripods so it shouldn't be a problem... the question is weather to throw in any sulfates to reduce the grain... and where to put it of course...
How do you agitate the exposure? I can see how some vigorous random exposure of things at the beginning of the exposure could help with a type of texture in the film. Will the scanner pick it up though? Will it give me the typical film look?
... the fish nibbled on them
the coolieloach snuggled with them
and i wetmount scannned then on the howlertech
using the fishes "slimecoat" as mounting fluid.
gave me ok contrast and michrocontrast and stain
but the grain pattern looked like fish scales.
i think it depends alot on the shutter, all my lf lenses have black copals and seem to work better with a continuous gentle exposure but my RB67 has Seiko shutters... they seem to work better with inversion exposure - you can really tell a difference especially if you scan the base side of the film... now my Rollieflex T kinda splits the difference and I really shake the hell out of my Minolta SRT101 but i haven't made any prints from that yet lol but soon illl set up my 6x7vcce enlarger and begin the scanning and semistand exposure experimentation protocol.... thank, T!
I was asking about film look fer chrissakes. Just answer my question and stop confusing matters. I ask one thing and you answer something else that I'm not prepared to think about. Hello?!
i usually. agitate my film by insulting it ...
you know like " you measley 35mm roll, you
were onlu exposed with a penft, not a leicha or some
other camera i have, besides you are only miniature format
you will never be large format nenur neenur .."
but ive learnrd as of late i should have agitated my largeformat film that way
" you are only large format shot with a 7000$ lens, you will never
be miniature format neenur neenur"
jeeves did it well with that posh accent of his
he was pretty much a sophisticato ...
thats the final straw, i'm putting you on ignore, i'll pm you about it...
i hadn't thought of that approach - and people will probably leave me alone when i'm shooting in public if I'm constantly swearing at and berating my materials great idea nanain
...i'm in the process of moving and noticed that I had a lot of camera stuff and then started wondering if any of it would make better pictures with a semistand exposure? i have 4 tripods so it shouldn't be a problem... the question is weather to throw in any sulfates to reduce the grain... and where to put it of course...
I don't want to give up grain completely because that would remove bourbon from my list of personal developers.
yeah it works for gardening with all the co2 given off by the yelling
im sure my yelling, is like co2 burst ... although i hear nitrogen burst works better.
i gotta talk to my pals on the mother ship to see if they can helpme with nitrogen
maybe they can make adjustments ... or maybe bootsy collns can help me out i know he's been in orbit with the mothership for a while
and he's one heck of a imagemaker ... he documented bootzilla years ago it was one heck of a FILM.
I find that moving during photography is bad and tend to take the semistand approach because my knees are old and often need to lean on something. The grain questions is one I have wrestled with because grain is fiber and fiber is good, both dietary and paper, but grain is also used to make flour and flour is supposed to be bad so I don't know what to do about grain. I don't want to give up grain completely because that would remove bourbon from my list of personal developers.
i've given a lot of careful thought to these posts... and decided my next move is gluten free photography...
and
i've given a lot of careful thought to these posts... and decided my next move is gluten free photography...
you are journeying into uncharted territory shawn
not many people have done that and been able to talk about it later
i hope you take goodnotes, and are very careful because it is the gluten layer
that glues the emulsion to the film. the variety of hardening, staining, graining
developers keep the gluten in check.
if you do indeed go gluten free, put your film in tepid water first, float the emulsion layer off
and use bind it to another substrate ... in the dark of course, and be careful with what you bind it with
because .. well, i am not sure why, just because ..
free range, organic gluten free, is something totally differentthough,
you have to find out which organic it is, local, micro, or macro
stay thirsty
Glutton free, please. Hold the carbs.
I gave up on carbs a long time ago, and only use fuel injection now. It makes the images flow onto the film much more evenly.
Haven't figured out how to make it work with stand development though.
Anyone interested in a film stretcher? It will take any small format shot and turn it into large format. Invest now. I'm sure a lot of the Photoshop crowd would fall for that kind of thing.
Get it just right and no tripod is needed!I've also filed for a helium-filled bellows patent. The bigger the camera, the less it weighs!
Anyone interested in a film stretcher? It will take any small format shot and turn it into large format. Invest now. I'm sure a lot of the Photoshop crowd would fall for that kind of thing.
May I suggest a developer made of smoke andouille sausage.
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