Kinda wish the Guy in Mumbai had more of this, I'd buy a second can
Great looking neg. I'd have been all over that 5" stuff because of the #5 Cirkut but I don't want to deal with the perfs so sat on my hands. Both the Aviphot and the Kodak had the perfs. BTW never needed to clip the corners because the stuff curls into the emulsion enough that even in the dark there's no wondering which side is which. The AviPhot is less so than the Kodak. Almost lays flat. So make everybody nuts . . . how much is each 5X7 neg costing you?? Part of the fun is bragging rights.SONY DSC by Nokton48, on Flickr
OK now I am drying some 2402 I have cut down to 5x7 and shot in Lisco holders in one of my 5x7 Normas. I'm at the same time I'm testing my new olde newly CLA'ed Schneider 500mm f5.5 Tele-Xenar in Compound #5, shooting a test still life at F22 and F32. My normal Broncolor Kelly Portrait lighting, and developing two sheets of 5x7, loaded into a Unicolor 8x10 Unidrum II spinning on a Uniroller. Developed in D23 1:1 sixteen minutes at 68F. Kinda long dev but I like beefy negs. Negs look fantastic from this run. The "Poor Man's JOBO" comes through again. This is going to work bigtime. I am excited by these results. BTW my 500 Tele-Xenar used close-up looks sharp as a razor to me, (as it did on the ground glass). Will contact print these and will post results here soon. I am stoked. Kinda wish the Guy in Mumbai had more of this, I'd buy a second can
Any inkling of times for this or do I just go with general Plus-X 1:1 times which would give me 8.25 min, Round off to 8.5 min.
That seems like a reasonable starting point -- do one roll and adjust if needed for the rest.
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