will B&H, Flic, or Atlanta be able to keep it in their lineups? That, to me, is the question.
Atlanta Film Co Euphoric 100, Flic Film Chrome 100, KinoChrome, and probably another few
These are in all likelihood the kind of parties EK is trying to put the thumb screws on, as they're likely to put a real dent into regular Ektachrome and C41 film sales. I don't believe for a minute they care all that much about the few Joe Averages who jump through the necessary hoops to respool a 400ft roll into 72 cassettes every other year for their own use. As long as they can divert a reasonable part of the clientele that now opts for "3rd party fancy schmancy brand name" respooled cine film back to their still film product lines, they probably have the arguments they need to convince Alaris they're not backstabbing their business partner.Reflx Lab
These are in all likelihood the kind of parties EK is trying to put the thumb screws on, as they're likely to put a real dent into regular Ektachrome and C41 film sales. I don't believe for a minute they care all that much about the few Joe Averages who jump through the necessary hoops to respool a 400ft roll into 72 cassettes every other year for their own use. As long as they can divert a reasonable part of the clientele that now opts for "3rd party fancy schmancy brand name" respooled cine film back to their still film product lines, they probably have the arguments they need to convince Alaris they're not backstabbing their business partner.
This also might be Kodak Alaris wanting their cut
to respool a 400ft roll into 72 cassettes
Is it so thin that 72 full frames (not cimematographic full frames) will fit in a 36 cassette?
When the disruption caused by Covid forced Kodak Alaris and Eastman Kodak into revising the licensing agreement between them - and it did - one of the things that resulted was much more flexibility for Eastman Kodak with respect to making film available to other targets. This is what resulted in more access for Cinestill and others.
Does that automatically mean that Alaris is happy about the arrangement, and that they wouldn't exert pressure on EK to try and stop the bleeding? Also, EK's own interest is evidently there; I don't doubt that their still image products realize a higher EBITDA (for both EK and Alaris) per square meter than the cine film. The latter is by definition a bulk product, and the difference in retail price is too big to ignore. I really don't think this is just about getting rid of the small nuisance customers; it's just as much about shifting 'rogue' cine film buying back to still film product lines. Of course, Alaris' exact involvement in this will likely remain undisclosed.
I'm going to disagree with you here.
When the disruption caused by Covid forced Kodak Alaris and Eastman Kodak into revising the licensing agreement between them - and it did - one of the things that resulted was much more flexibility for Eastman Kodak with respect to making film available to other targets. This is what resulted in more access for Cinestill and others.
Eastman Kodak just isn't set up to deal with lots and lots of little orders. They are a B2B manufacturer.
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