So far all I have been able to find locally is Fuji 400.
What is the logic behind color-coding Gold 200 (magenta) and Ultramax 400 (blue), but using red stripes both on Kodacolor 100 and 200?
(Please don't say "To distinguish Kodacolor line from Gold line and Ultramax line".)
What is the logic behind color-coding Gold 200 (magenta) and Ultramax 400 (blue), but using red stripes both on Kodacolor 100 and 200?
Interesting turn of events - Gold 200 and Ultramax 400 are now listed on the EK website, complete with the new EK style packaging, in both 35mm and 120 (for Gold):
KODAK GOLD 200 Film
Versatile color film with fine grain, vibrant colors, and broad exposure latitude. Available in 135 and 120 formats.www.kodak.com KODAK ULTRAMAX 400 Film
High-speed color film with vivid colors, fine grain, and sharp detail. Ideal for everyday and low-light 135 format photography.www.kodak.com
I wonder if we will start seeing the rest of the lineup be migrated to EK's control? There are no other Kodak consumer stocks still in Alaris' hands, though all of the professional films are still Alaris only as of today. Or maybe there's a deal for EK to gain control of the consumer stock?
Either way - this can only be good for us, IMO.
So... "goodbye Alaris" then...
I'm still waiting for KodachromeC C41.
Interesting to see that the Gold on EK's site also includes the 120 version. So that's the entire range of "amateur" C41 films now with EK ?
Certainly an interesting development.
Looks like it's heading that way for camera film. For Alaris as such I wonder how much significance this has; it's evidently a big product for them, but they do lots more and this may fit into a strategic repositioning of the firm.
Some years ago PE explained why it may not be possible to bring the Kodachrome ever again. I am you are not serious but in a way we all miss PE.
Might be that the new owners want Alaris to focus on the scanner business.
You probably can be a bit more certain that that based on the Alaris financial reports.Well, interesting musings, but for me they don't extend much further than noting that the whole stills film business isn't necessarily the cork the company floats on. It's no doubt an attractive segment, but it may be a bit of an oddball product in their portfolio if you look at their other activities.
Has anyone ever authoritatively confirmed that the Alaris license rights was in-perpetuity?
Or possibly there's a deal where EK will handle North America while Alaris will handle the rest of the world? One can speculate.
Maybe there's a fixed amount of film that EK has to provide Alaris, and now it is profitable for EK to both fulfill it's contractual obligations with Alaris while still selling direct?
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