Hey Jack,
I haven't tried this film myself, but it looks impressive (and I certainly recognized your train shots). I had to comment on the Rite Aid processing. I had a roll processed by them a few months back and the negs were full of spots and just plain looked terrible.
Bob
Hey Jack,
I haven't tried this film myself, but it looks impressive (and I certainly recognized your train shots). I had to comment on the Rite Aid processing. I had a roll processed by them a few months back and the negs were full of spots and just plain looked terrible.
Bob
Looks fantastic!!!
I'm pleased it's nice, as I've just received a bag today with 8 rolls in it of Ektar. Was supposed to be 10 but someone at the camera store stole 2 before I could get it picked up - shows how popular this stuff is!!!!
I hope Kodak will announce 120/220 packages of this new Ektar100. Before that happens I am forced to stick to Portra VC or UC. Any hope that Kodak will release 120/220 packages any time soon or never?
Hey Bob,
It's kind of amazing that these places (or at least my local Rite Aid) can be so filthy. I'm assuming it's lack of training? or they just don't care. I'm certainly not the cleanest when it comes to processing film, but my negatives look pristine in comparison to the mini-lab stuff I've been getting. I guess that's why I started processing my own stuff decades ago.
I'm so impressed with the grain of this film, I'm really torn as to whether I'm going to switch to color negative entirely, or color positive film.
Jack
Is this the right forum to discuss and/or show images of a particular film? If not, please delete or move. Thanks.
I finally had go with a few rolls. The first roll I had processed at my local Rite Aid, and I've never seen such filthy negatives, ugggh. Anyway, the last two rolls I processed myself and I was tickled with the sharpness and detail of this film. I've never seen a color negative film with this 'tight' of a grain, or sharpness, I really don't know what the correct term is. Anyway....
Here's a few shots
Jack
What are you in love with, the name change, or the consolidation of a 400 and 100 speed line into a line with only a 100 speed offering?
Sheesh, you guys make me wonder if maybe Kodak isn't right blatantly lying, cheating its clientele, and treating the remaining film consumers like crazy people/idiots/children.
Never before have I seen such an overwhelmingly-positive response to the consolidation of a line (and incidentally, eliminating far-more-useful 400UC)
Maybe they should pull old "Panatomic" out of their name bag next. :rolleyes:
In my mind, there's not much doubt that, had Kodak released, "Super-Terrific Awesome 100 Film" rather than "Ektar 100," people would have been less eager to try it out and less ready to sing its praises. That said, I have tried it, and it's a good emulsion. I still somewhat prefer 100UC to it, but, once more, they're not very similar films. As for the demise of 400UC, Kodak says it has nothing to do with the introduction of Ektar 100, but is based on the "overwhelmingly positive response" to the newly re-formulated 400VC. I haven't tried this version of VC, but, that which I did use, didn't please me.
I've written to Kodak to express my discontent with their decision to discontinue their Ultra Color line, and they replied (predictably) that they're sorry, but they can't please everyone. Perhaps if a few more photographers disgruntled with the choice sent in e-mails...
I tried 400UC, both in 120 and 35 mm. I did not really like them. I liked VC better despite it isn't as fine grain as UC was. I believe I am not the only one who was not impressed by UC. I have not had a chance to shoot the new Ektar 100 yet (waiting for next Spring to come). But I do not believe that all this is only Kodak's praises of this Ektar 100 film. I am impressed by the photos posted on the net so far. You can't ignore praises from people who used it.
Thanks for your response. I get so sick of people singing Kodak's praises for this film "line".
I'm actually pleased to here that you not only shot UC, but liked it *better* than Ektar.
What irks the hell out of me is that many people, who have never shot UC, talk about how this is the greatest film ever. . . Greatest necessitates at least three films compared to one-another, linguistically speaking.
It wouldn't bother me if they renamed 400 and 100 Ektar and reformulated, but they didn't.
It wouldn't bother me if they were just honest about declining sales and discontinued an UC film (preferably 100, since 400 is the one that is actually useful), but they WEREN'T.
This is a name change to cover up cost-savings of reformulating their UC "line" to use compatible film components from another line, most likely.
I just get violently, physically ill by the upbeat positive Orwellian double-speak of Kodak. For Christ's sake, how is halving a line and reformulating ( + RENAMING !!!!!!!) a film in any way a benefit to anyone but Kodak's accountants? If anyone wants to come in and attack me here, keep in mind I am not the only one that has called this company by that name. They did, after all, once describe colors that their films couldn't accurately reproduce "SUBJECT FAILURE".
All I want Kodak to do, for once in it's corporate lifetime, is to tell the fucking truth to customers, such as I, who faithfully consume tens of thousands of feet of their film
One should use the right tools for the right job. I use UC 400 in 135 and 120 for shooting red rock in Utah and Arizona. I would not use it for a wedding or portraits.
Steve
Steve, I wonder how you quoted my reply and came to a conclusion which seems to suggest that I shoot wedding or portraits with UC 400. I did not say a word about what I shot with UC 400. But I agree that UC is not the best choice for wedding or portraits.
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