Don't forget that the formulas for a number of Kodak C41 films were transferred to China in the early '90s. How about it being one of those?
PE
Well lets not forget kodak offer 4 no c200iso CN products;
Consumer Value - Colorplus 200 - more muted colours than gold , strong brown/yellows 80s holiday tan. A bit grainer than gold 200 or less suited to scanning.
Consumer std - Gold 200 - saturated colours slightly golden tones. More punch than colorplus.
'Pro' Value - ProImage 100 (c 160 ISO) selected markets, gold grain but with a neutral color palette. Now in europe!
Pro std - Portra 160 - finer grain, vision tech, neutral colors, lower contrast.
The first 3 are all versions of kodak consumer emulsions, of different dates. I am guessing in reality all 4 products are >95% the same but the different results show that they are all different products (like humans sharing 99% of dna with chimps). We could speculate about the size of these coatings vs say Ektachrome. Of these colorplus has no datasheet so no specific requiremements other than CN 200 iso so can be whatever kodak want it to be at a given time, so perhaps there are odd batches where they ran out of VR 200 and substituted something else..
Trendland - I think we need to see some pictures of people in autumnal landscapes! to see if we agree with the comparison to which you refer...and any 'special' batches on sale?
Price wise there is an interesting relationship of roughly 2x each step from Colorplus (£2.5-4) - Gold (£4-6) - Portra (£8-9). In the UK I have noticed highstreet retailers just offering Colorplus in place of gold, given normal retail markup of c100% that means selling color plus costing £1.25 for £4.5!. It would be interesting to know if manufacturing wise the price difference is due to materials/wastage costs, lower volumes or higher margins given similar cost for base and packaging. Thoughts?
Colorplus was introduced c1990 in Europe to complete against fujifilms c200 offer. In the US Colorplus isnt on offer and Gold is the lowest cost option but then its sold for about 30% less than in Europe. Discuss!
Fuji of course have followed Trendlands logic and concluded that it isnt worth splitting the consumer 200 offer and axed Superia 200 in favour of retaining C200 (albeit updated in 2017 to be finer grained - with a datasheet!) presumably on basis of more volumes for the remaining stocks (i.e. superia 200 shooters split c200 or S400 but not to Gold 200). Axing c200 would be a different proposition given 100% price difference but if volumes drop maybe they will only offer S400 and Pro 400.
Colorplus isnt the only Kodak VR product on offer - A more interesting question is whether kodak colorplus vs lomography 100 are actually different products - VR100, VR200 or might be the same given CN latitude? Kodak wouldnt want a dependant producer competing in the same space so no lomo 200 in 135 (but ok for 110?).
Meanwhile there are four different amateur C41 films readily available...
Do you perhaps remember Agfa Precisa CT 100 ? It was the same play " Agfa on the Box - different Fuji Provia versions inside "
with regards
Trendland: “belive me please.”
For the most part, to the extent of my understanding of your posts, I can do that... but (post 29) the notion that Kodak “mixed and matched” canisters, labels, and the two film products just doesn’t align with my experience as a user.
Agfa Precisa CT was a Leverkusen product that I remember very well. Fuji Provia went into AgfaPhoto boxes, and that happened much later, I remember this film as well. Harman is still doing the same with their Kentmere line of films.
Yeah -I feel the same - but if you just notice the canister design/labeling one should feel : " There is obviously something in progress " - so it is : Kodak is selling different films in nearly same designed cans with different names .....
with regards
PS : The pricing in different regions is also " like a lottery "
Trendland: “belive me please.”
“... AND MEANWHILE ( therefore I am quite sure ) Kodak began to exchange the content of Colorplus200 film canisters ( with Gold films ).“
For the most part, to the extent of my understanding of your posts, I can do that... but (post 29) the notion that Kodak “mixed and matched” canisters, labels, and the two film products just doesn’t align with my experience as a user.
In my experience both products were consistently true to what they purported to be, and that was verified by the film’s edge markings.
Perhaps if you could embellish this statement it would help us understand if it is fact versus speculation.
BTW, my recollection of the ColorPlus I was getting in US indicated made in Argentina. I no longer have any in the box so maybe my recollection is incorrect. But it sure never said made in US or China.![]()
Is this consistent with what you’re seeing in your part of Earth?
SNIP
As for CT Precisa....the old Agfa did make it's own slide film before they spun off Agfa Photo who had to find an alternative...and eventually ended up selling Fuji Provia under the CT Precisa name. No mystery there.
I really like ColorPlus 200. I like the strong yellows/browns and the overall warm bias. It has more pronounced grain than Gold 200, but it's not too grainy. Gold is ok for me, more saturated, but overall a nice film. Glad to see that I'm not the only one who likes ColorPlus 200, I think it's a very underappreciated film. Portra 160 is technically superior, but find it rather uninteresting. Well, perhaps I'm weird...I shoot more Color Plus than any other C41 film. I'd be disappointed if they put Gold 200 in the canisters instead of VR200.....because I happen to prefer the VR. To each their own but I've never liked the Gold colour palette...
This is false. Agfa have been producing cour slide film since 1930s Their latest catalogue from early 2004 //www.tate.org.uk/download/file/fid/20941
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