Right, but to a degree, we have a hand in what the market for film is to become. If we the film user were in full control of that, what would be want it to be given the knowns of the market dynamics and the economies of scale that drive it?
We want our film companies to pull a profit, we want a healthy and realistic product line, but I feel like there are missing pieces of the puzzle, or worse, the pieces are right there in front of us and both the film user and the film companies are missing them..
There are no missing puzzle pieces. There is only the standard demand and supply. Nothing else exists. Film was never supported by the "fine art" market. It was supported by commercial and casual photography. Seriously wide-spread usage started with the Kodak camera and the "you press the button, we do the rest," advertising campaign. Mr. Eastman wanted photography to be as convenient as using a pencil, and he achieved it.
But where does a film company go when "you press the button," and there's no rest to be done? The services aren't needed because the demand has dried up, so the supply dries up. How many blacksmiths are needed these days? Not many, so there's not many to be found (Yellowpages.com lists three in my state). How many tiny service stations still exist? I drove past a remnant in eastern Washington a couple of weekends ago, just a couple of ancient pumps (1930s era) in front of someone's house. Yes, Texaco gasoline really was sold there 80 years ago. But people have been driving on by since the 1950s, but the pumps are still there.
The degree to which we shape film's future is minuscule. It is the aggregate demand which shapes film's future, because demand for the product is everything. Thus, demand must exist for the product to continue to exist. I like commercial high-speed film. The only way to spark demand is to show that film is what somebody else wants, despite what they already have. Yes, we have to sell air conditioners to Eskimos and furnaces to desert dwellers.



