.,.but would probably settle on something finer than XP2s. Its always seemed bizarre to me that the so called film resurgence and so much of the stuff on the net is around playing with tri-x and scanning it at home on some basic scanner.
That's too bad.. I live in sweden and although we have pretty good supply in Stockholm and some other bigger cities, the availability of film in smaller towns are really bad.
I was recently in a small town in the south of sweden and the only B&W film i could get a hold of were kodak bw400cn, without driving for an hour. They had no "real" B&W film since they didn't develop it anywhere in town.
Actually, this kind of makes sense - since virtually nobody is printing anything any more anyway, this odd bird which always was a bit of a niche market doesn't have a big market share. It really is best for printing on RA-4 paper. It works, well enough, when printed on fiber paper, but the folks who are going to keep black-and-white film alive are the ones who are going to home process and do their own enlarging, not the target market for this film. That, and the advent of instagram filters and the like make me surprised this film lasted as long as it did. Unless Kodak goes completely tits up quickly, I see them ending up with a similar palette of films to Ilford - Tri-X for a traditional grain emulsion, TMax 100 and 400 for T-grain emulsions, plus the Portras and Ektar 100. If I HAD to lay speculation on what would go next, I'd say it would be Portra 800 - it's expensive, and relatively low volume compared to the others. But I'm not speculating.
My biggest client only shoots on this film stock grrrr.
My biggest client only shoots on this film stock grrrr.
...Unless Kodak goes completely tits up quickly, I see them ending up with a similar palette of films to Ilford - Tri-X for a traditional grain emulsion, TMax 100 and 400 for T grain...
Why do you care? You're "quitting film," right?
KA announcing its first film discontinuation has a huge symbolic significance.
I see that film being niche within a niche under a niche, so I am inclined to not agree. It's business as usual for me, buying Ilford, Kodak and Fuji films as my freezer dips below 80% on any given film type....
KA announcing its first film discontinuation has a huge symbolic significance.
I see that film being niche within a niche under a niche, so I am inclined to not agree. It's business as usual for me, buying Ilford, Kodak and Fuji films as my freezer dips below 80% on any given film type....
So we are losing a product without a need or a market. For starters Tri-X, TMax, FP4 and HP5+ are much better.
Xmas-
my sympathies are limited. While it sucks that you can't walk in to the average Boots and pick up a three-pack of Kodak Gold/Fuji Superia/400CN, drugstores have never been, at least for me, a significant source for film. The films I have liked, for a very long time, have not been readily available locally (and with the death of our major camera store, Calumet, available at all). When they were, they were somewhat to significantly more expensive than ordering online, if they were in stock. That said, three clicks of a mouse and I'm ordering a brick of my favorite emulsion from B&H (or for you, Calumet UK or Silverprint or ffordes or whoever). It really doesn't chafe my backside to do a LITTLE planning ahead and keep a few rolls of Tri-X, Ektar 100, FP4+, PanF, Delta 3200 and the Portras in my fridge. You want to shoot C41 b/w? Go online, order ten rolls of XP2+, and when you have two rolls left, go order another ten! This is the new reality - brick-and-mortar stores don't stock products that we want anymore. But distribution and retail via the internet is actually cheaper and more efficient now than it was in the brick-and-mortar days.
Yes, very true. Buying film is not difficult at all. But the loss of one of the very few films still in the public eye perhaps has a price that we cannot put a value on at this moment.
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