Nicely said.As many who are familiar with my posting history on APUG are aware, I have been a user of Kodak products and a supporter of Kodak for much of my life. SNIP
I would have posted the same if Daniel's problem had been with any manufacturer - not just Kodak.
Just to reiterate my experience with TriX 120, I bought 2 boxes last summer that were problematic. I bought two boxes last month and noticed the different backing paper and fainter numbers. Not a problem so far (have 3 rolls left). Fingers crossed. I suppose since I'm buying from Adorama NYC the stock turnover is high so I'm getting new lots quicker than others.
I bought 2 boxes of TMAX400 last November and 5 rolls from one box STILL had defective paper. I assumed that I was getting good film since I was bought from B & H. Either there is still defective old stock out there or the new iteration of TMAX 400 still has defective film/paper.
Either there is still defective old stock out there or the new iteration of TMAX 400 still has defective film/paper.
So, did the defective rolls have the older or the newer backing paper?
I contacted some people at Kodak Alaris and they were very kind.
A nice guy called Andrew D Church even offered to send me new films but I have 10 pieces more at my refrigerator and I want to know what will happen with these.
I will inform him after shooting.
Post you again soon.
Yes I told him that I have 10 films more.I take it that Mr Church was only prepared to send you the same number of films as those which you know to be affected? Did you mention that you had 10 more films and ask him what he was prepared to do about those. I have to say I get the impression that Kodak needs proof that you have affected films before it will exchange them. The problem is that if the negatives are permanently affected how does fresh film provide redress. At the very least it means re-taking the scenes which might be at best inconvenient and at worst almost impossible short of spending a great deal of money and time
pentaxuser
Eastman Kodak do not deal with individual customers or any photographic film other than commercial movie film. All they do is contract manufacturing for one single wholesale customer - Kodak Alaris - who own the sole international rights with respect to still film and the Kodak brand.Kodak customer service (pre-Alaris) had a no questions asked replacement policy, called their 800 number and got replacement film. Give them the batch number and Bob's you uncle replacement film in the mail. They did not even ask for the return of the bad film.
These are incorrect.Matt points out it is no longer Kodak but KA who control customer service and there the policy clearly seems to be to only change a film when there is evidence of a fault.
So even if I have a film within the affected batch numbers I still have to use it to see if that particular roll is affected.
Well it looks as if Stelios comes close but of course we haven't go to the bottom of what position Mr Church occupies, if any, in the KA hierachy. Given what you say, Rattymouse seems particularly disenchanted with his "losses" but I'd need to research all his posts and even then it may not be clear if any intransigence on KA's part was to blame. Clearly we need to know in specific terms if anyone here had the "faulty" batch numbers and was refused a replacement on KA's part.Kodak Alaris has around 1500 employees world wide.
And I don't know that anyone has ever been required to use film in the known to be affected batches before being abl;e to request replacement film.
Slelios, can you tell us how you found yourself talking to Mr Andrew Church and what position he has within the Kodak Alaris organisation? I am still a little confused about the conversation with Mr Church. This confusion may be my fault. To clear matters let me state what I think you told Mr Church and you to confirm or correct my interpretation.
1. You contacted KA about some films which after processing you discovered had the "wrapper offset" problem. I am using what I think is the correct phrase to describe the problem of the transfer of backing paper images to the negative. These affected films which you mention seem to have the affected emulsion numbers quoted in the J Sexton Newsletter
2. Mr Church offered to replace the affected films which you discovered has the wrapper offset problem after processing
3. You mentioned to Mr Church that you had 10 more films. Did these films also have the affected emulsion numbers?
4. Did you decide to try these films in case they were OK and did not ask Mr Church to replace them as well or did you ask Mr Church to replace them or at least tell him you were worried about them as well and ask him what you should do?
5. He did not offer to replace these other 10 films which were not exposed but which you had mentioned to him?
I am sorry if I appear to be treating you as if you were in a court of law but I think it important we get to the bottom of exactly what happened between you and Mr Church
Thank you
pentaxuser
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