How many 36 image strips can you get from 35mm 400 feet? Do you have to attach leaders?
if you do it in the darkroom, you can get 80 rolls out if it, rolling each roll to 5 ft (or 150cm) in length. This is about 3 inches (7.5 cm) shorter than a pre-packed roll, but if you load your camera efficiently, you can still get 38-39 frames on the roll.How many 36 image strips can you get from 35mm 400 feet? Do you have to attach leaders?
~Eighteen 36 exposure rolls per 100 feet.
Don't forget that there are no frame numbers - just key codes.
That's $9 per roll of 36 shots at $649 for a 400 foot roll at B&H. Of course, you have to attach leaders, purchase spools and enclosures, and figure what your labor is worth.
The cost if bought separately is $22 a roll if purchased in single quantities. B&H doesn't have in boxes of five which would be cheaper. I guess because they're in such demand.
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You don’t need to attach any leaders, the leader is built into the length of the roll. And go to a local lab, they will most likely hand out used cassettes for free, no need to buy them.
I sold 36 exposures roll for $12/roll, and that worked out well.
What do you mean the leader is built into the length of the roll, so you don't need to attach the leader?
Also, aren't leaders on 36 shot 35mm film cut so they can be inserted in the take-up spool more easily? Will auto electric feeding 35mm cameras require leaders cut a certain way?
The little cutout at the end of the film is nothing special, I’ve seen people just cut the film 45° and it will work just fine.
But if you are going to mount the slides in slide mounts you won't see the edge printing anyway.~Eighteen 36 exposure rolls per 100 feet.
Don't forget that there are no frame numbers - just key codes.
One of the interviews form the Lad in Alberta who runs "Flic FIlm" said he basically bought some form Kodak and they had no trouble selling him all he wanted. and he is a supplier of loaded still Cassettes of all the other Kodak 35mm Movie films. As usual they don't allow him to put the name or Brand on the cassettes. so he sells his version of "Chrome 100" with a picture of the hood of a DeSoto. (a car known in it's day for sporting a lot of Chrome)Kodak is well aware of photographers buying the stuff to roll as stills film, and they don’t seem to care.
Alaris doesn't sell bulk Ektachrome because Eastman Kodak doesn't make bulk Ektachrome for them. Most likely because Eastman Kodak's production cost of using the at least 65 year old 100 foot bulk production line is so much higher per roll than the respective costs of the much more modern and automated lines that produce the individual 135-36 cassettes of still film and the 200, 400 and 1000 foot loads of movie stock.
We have lots of discussion about this in the threads bemoaning the cost of Kodak black and white film stocks.
Eastman Kodak makes, markets, distributes and sells motion picture films.
Eastman Kodak makes the still films, and sells all of its production to Kodak Alaris, who shoulder all the costs and responsibilities to market and distribute those to local distributors.
The movie film seems to have different kind of filter and antihalation dyes than the still version does. It will produce a dard green color similar to Velvia 50 in prewet water if used. Also, the first dev and reversal bath will both turn to bright pink. This has on effect on chemistry though. I haven't done any comparison with same pictures taken with both films, but I have an impression that the motion picture version is slightly warmer in daylight than the still film stock is.
You didn't get my point. I do know what Alaris does in general.The fact is that motion picture film suppliers in Europe refuse to sell rolls of Ektachrome 5294 unless you can provide them with details of a movie production, and seem to be tequired by Kodak to deliver the film directly to production. This means no sales for even to a movie studio except for a film project in making. I think this is due to a deal with Alaris to prevent private companies starting to spool motion picture Ektachrome and selling it for the half price now, when E6 film is very hard to buy in Europe through the official channels. That said, somebody always manages to get some film somewhere.
You didn't get my point. I do know what Alaris does in general.The fact is that motion picture film suppliers in Europe refuse to sell rolls of Ektachrome 5294 unless you can provide them with details of a movie production, and seem to be tequired by Kodak to deliver the film directly to production. This means no sales for even to a movie studio except for a film project in making. I think this is due to a deal with Alaris to prevent private companies starting to spool motion picture Ektachrome and selling it for the half price now, when E6 film is very hard to buy in Europe through the official channels. That said, somebody always manages to get some film somewhere.
You didn't get my point. I do know what Alaris does in general.The fact is that motion picture film suppliers in Europe refuse to sell rolls of Ektachrome 5294 unless you can provide them with details of a movie production, and seem to be tequired by Kodak to deliver the film directly to production. This means no sales for even to a movie studio except for a film project in making. I think this is due to a deal with Alaris to prevent private companies starting to spool motion picture Ektachrome and selling it for the half price now, when E6 film is very hard to buy in Europe through the official channels. That said, somebody always manages to get some film somewhere.
The movie film seems to have different kind of filter and antihalation dyes than the still version does. It will produce a dard green color similar to Velvia 50 in prewet water if used. Also, the first dev and reversal bath will both turn to bright pink. This has on effect on chemistry though. I haven't done any comparison with same pictures taken with both films, but I have an impression that the motion picture version is slightly warmer in daylight than the still film stock is.
when E6 film is very hard to buy in Europe through the official channels. That said, somebody always manages to get some film somewhere.
It is not clear from the "Smarter every day" video if the cassette finishing machines also perf the film, but that 1000 ft or more rolls that those machines need could be perforated on the New style KS perforator wuth the edge print turned off - as the cassette machine also prints the Still film information of the film as the cassette is loaded.
You can forget about Georgia. I'm Georgian and if direct purchase from Kodak was available here, our one and only film shop would not be buying their stock from UK.there are sales contacts in the price list in Poland, Georgia and Romania
Kodak really only has 2 digits to play with the second didgit of Camaera film is always 2 and the first digit indicates the base and the width.Are you guys talking about 5294 or 5285? According to the Wikipedia list, 5285 is Ektachrome 100D and 5294 is a 400 speed color negative tungsten film.
What I dont understand: Is the cine version remjet coated or not?
Yes, but that is Balcan style. (You bought from Cinelabs in Romania, right?) The other guys are talking about how things are handled in vestern Europe.
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