PS, the chemicals are no worse than E6 or C41.
PE
I know as far as toxicity, that with the last version of Kodachrome at the time, that the Kodachrome MSDS claimed that the chemicals were no more "dangerous" than any other film chemistry, I doubt any regulations have changed much since 2009, so dont expect the emulsion will be affected much either.
Have you read PE's post above???Chemical regulations, in the USA, have changed ENORMOUSLY since 2009. You do realize that there are entire departments in government who outlaw chemicals every single year, year after year?
It happens when you get olderIs it April 1st already? My, my, how time flies!
How old are you???Nothing ever quite had the same ultra soft, ultra pastel colors of the original Kodachrome and Kodacolor of the 30's and 40's, before the antitrust debacle.
Wow! You're a real jerk. And by the way, transparency film does not resolve at the molecular level.
I know the very first Kodachrome had a fading problem, but i thought Kodak rectified it quite early in the peace.How old are you???
Unfortunately the early Kodachromes aren't nearly as long lasting as the K-12 versions.
My Dad, in or about 1950, from a Kodachrome slide that is a lot more green, and a lot less detailed than this scan appears:
View attachment 170708
The Kodachromes from Kodachrome II on are in a lot better shape (that is me with the brown jacket in front of my Dad).
View attachment 170709
The site you linked to is, of course, a movie film oriented site.I know the very first Kodachrome had a fading problem, but i thought Kodak rectified it quite early in the peace.
Looking on this page here, it seems to be around 1937 when they fixed the fading.
http://www.paulivester.com/films/filmstock/guide.htm
...
I predict that Kodak is going to turn out some sort of tweaked sensors for digital cameras, maybe make a swappable sensor camera for really really cheap and charge for a Kodachrome Sensor or a Portra Sensor...
I would think Kodachrome (and Ektachrome, to a lesser extent) would require some pretty small, for Kodak, coating capacity unless they really take off. Does Kodak have any excess capacity to squeeze in one or two more emulsions for these or did Perez blow it all up? What a headache, to schedule production shifts between coating products as different as the Vision line, Tri-X, color print, 5222 and who knows what else. And now these two "announcements"? Maybe you should dust off your resume...At this time, there are NO plans to bring back Kodachrome film or the name in any way shape or form. Too difficult.
I see one possible scenario:
If the new E6 survives in the market and makes a profit, then a study on Kodachrome would be undertaken to see if it were feasible. If so, then it might be sold with processing included and they might use a Kodak plant for processing it. This would be a few years away at best.
PS, the chemicals are no worse than E6 or C41.
PE
The site you linked to is, of course, a movie film oriented site.
The processes and film stock were the same for the still film Kodachrome and movie film Kodachrome, but the handling and storage of movie film and slide film tends to differ a lot. I wouldn't be surprised if the (originally card stock) slide mount material and the adhesive used therewith may also play a role.
Many of those Kodachrome II slides are in 828 format, including the second one shown above.
Is this Kodachrome revival a replay of the new Coke and back to Coke Classic which was really a ploy to remove cane sugar from Coke and replace it with corn syrup? If one tasted one next to the other, one would notice the difference, however leaving months in between for the old stock to disappear for a while meant that the Coke Classic could be foisted on the public. That way the average Joe Public was hoodwinked. Yet the original formula was and is still available in Mexico so you can go there, bring back a can of the original stuff and see how they ruined it.
Ron:No color process is better or worse than any other, but the original Kodachrome process was a kludge that had to be changed to a more modern method. The colors were due to severe process crosstalk.
Film grains (and pixels) come in a wide variety of sizes. Trying to compare resolutions is a lot more complicated than just grain/pixel comparisons.Oh so you still think that a pixel is smaller than a film grain. In what universe?
there were some that wanted to chain PE's leg to the grandma's barn so that he would produce Kodachrome in grandma's cesspool.
Ron:
I'm not sure referencing standards of accurate colour reproduction is the argument that is likely to succeed with those who seek the return of the original forms of Kodachrome,
Great idea! Why didn't I think of this before?
Ron:
I'm not sure referencing standards of accurate colour reproduction is the argument that is likely to succeed with those who seek the return of the original forms of Kodachrome,
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