This conversation brings it all down to Scala.
You're right. Film isn't likely to disappear soon. But certain types of film (not mentioning any specific ones) are likely to disappear soon.
Your user name says it all.
That's great to hear! Did anyone comment when they saw you using the F100? Or did they not notice even notice the difference? The roll of film is kind of hard to miss when you're loading, and I don't think it'd load very well into a CF slot; they must have noticed you loading the film! Then again, when I shot my university president's inauguration on film, no one even noticed I was using film. Told one of the other photographers after, and he was like "You're shooting film?! Wow!!!" You should have seen his expression!
If I recall properly, he used a rangefinder, if not two. But yeah. Nowadays, that's the response becoming more common. If I'm shooting with my Pentax 645, I get more attention anyway (because it is a big camera, and supposedly one cannot use a bigger camera
and be a girl at the same time, what-the-f-ever), but last summer was when I began really hearing people just going, "Wow, big camera. Medium format? What is that?" And then as I explained, there's that eureka moment which they all but don't realize they emote, betraying what they're really thinking. This is then followed by something along the order of, "Wait, you're shooting with . . .
film?"
"Yes, Professor Einstein. This uses film."
In any event, I went into a certain major chain camera shop yesterday because of a product I didn't want but, for sake of my research thesis, it needed to happen. The dome-headed guy (oddly, with a stitch sutured into that head) walks over to a display model, outfitted with some monster fisheye, and diminutively says to me, "I shoot with one of these." He holds up a D3. Then he opens a binder with 11x14 printouts of what he'd shot with his own D3 for use in store sales pitching. Boring. I think to myself,
Did I ask to know this, and do I look like I care? I look back at him, unimpressed --
what a guy thing to do, I thought. My messenger bag was on the sales counter, so I opened it, pulled out the first and said, "Uhm, well, I like to use this" -- the Pentax 645 -- "this" -- a Konica rangefinder (loaded with Ferrania) -- "and this, which is loaded with Kodachrome" -- my Nikon F-801s. Before I said, "Kodachrome," he already showed that expression of being put back into his place and hating every second of it, but then my saying "Kodachrome" got him to say something. He throws me that derisive
You shoot with Kodachrome? look and responds, "Oh, well, you know that film's getting harder to find these days."
"Really? I don't seem to have much trouble finding it. You just have to look online and buy it there."
"Yeah, but it's getting harder to find in stores," he added.
"Well, the way it works for me is that the resolution yielded by what I shoot on this Pentax way exceeds anything an FX camera can do, and to me, quality is really important."
"Oh, well, that's because you're talking about medium format," he perks up. "That a totally different story. It would mean I'd have to go to one of those thirtysomething-megapixel Hasselblads, and those are tens of thousands of dollars."
"Well, this shoots film, it's not close to that expensive, and I like the look of what I get from it. As far as shooting with Kodachrome goes, I don't have to worry about the media rotting on me in 5-10 years and incessantly needing to backup my backups every year or so. If I lose the scans, I still have the Kodachrome for a very long time to come."
His expression was one of thinly-veiled annoyance. I couldn't help but think Avenue Q's "Schadenfreude!"
"Thanks for your help," I politely said.
"Have a nice day," he seethed through his customer-friendly smile. After I walked out, he glared at me through the store window whilst helping another customer.