Ditto. I have a few unexposed PKR120 rolls in the freezer. They were bought very cheaply. I know someone who has offered to practically give away to me a few more PKR rolls they gave up using years ago.
I feel the cost of developing a test roll, even at the $50 suggested unit price, is worth it once proof of concept is presented to this forum, replete with detailed notes on tiberiustibz's path to getting there as well as processed frames- good, bad and ugly. It shouldn't be just a learning experience for him, but for anyone else interested. It means we're in this together.
Well, some people blow $50 on lottery tickets each and every week. Sounds like a lot, but that's about $7 a day. It's their money.
Some people blow $50 on an overpriced dinner at an off-Michelin guide has-been just because at one time it was a swanky place. It's their money.
Some people blow $500 on a night of blow. But again, it's their money.
Some people gave $500,000 to a hedge fund that was a Ponzi scheme. I'm sounding like a broken record.
Some people even drop $80 on a single roll of EIR without blinking. And hrm, yeah.
I want the experience -- a once and probably only experience -- of shooting and seeing my own work in 120 Kodachrome splendour. It's as close to the vintage 4x5 sheets as I could ever hope. It'll be my money.
[Addition]:
Wogster, I shoot several different E-6 and b/w 120 + 220 rolls. I'll continue to shoot those as long as I can. One more thing: some people spend $5,000 on a DSLR setup only to replace it in a few years with the next great upgrade. For the life of me, I cannot fathom why when the price of one DSLR in that range would take hundreds of rolls of shooting and processing most emulsions to spend that much on film and processing.
I looked over the processing instructions once for Kodachrome and while it looked involved, I'm sure any decent wet chemist could get his arms around this. In fact I'm not sure what all the hullabaloo about Kodachrome processing is really about - mystique and scientific ignorance perhaps. Making something like a very simple integrated circuit is a helluva a lot harder (I've done that too).Steve,
Have you actually processed Kodachrome before? Do you process it now?
It's not as easy as you think, because, unlike E-6, there is NO chemical reversal. In E-6, you can substitute light reversal (800 footcandle-seconds of energy) for the reversal bath; but in K-14 you have red re-exposure and blue re-exposure steps.
Both of these re-exposure steps are NOT terminal (expose to completion), because one is through the emulsion and the other is through the base; and if you hit either one too hard you'll expose layers that are not developed yet.
I know, I looked at this, since I too have a brick of 20 120 rolls.
Perhaps someone will create an E-6 film that has a color palette similar to Kodachrome. Far more practical than developing old 120 Kodachrome.
Creating an E6 film with a similar color palette to kodachrome (supposedly impossible) will not help use that brick of kodachrome 120 in my freezer.
Kodak ceased production of 120 Kodachrome in 1996 any existing films are at least sixteen years old.
Wtf I thought this was a new thread... Doh!
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