bobbysandstrom
Member
- Joined
- Mar 26, 2005
- Messages
- 244
- Format
- 4x5 Format
I'm sure a lot of you guys know this already but for those that don't, and in the spirit of sharing I thought I'd post my findings today. The point is... There's a lot of wiggle room using dektol at different dilutions/times/temps.
I recently installed my beseler 810 conversion on an mcrx and am using special cut 12x12 ilford filters.
My favorite paper has been discontinued, kodak polymax fb. I'm exploring Ilford MGIVFB.
I made a print using Dektol 1:3 @70F for 2min with a filter grade of 4-1/2 and was happy with the contrast I got from a short SBR neg. However, the luminosity I experienced at the scene and with the 8x10 contact print was missing. The blacks were not making me happy either. So, I mixed up another batch of developer (Dektol) but this time used it 1:1 @ 70F for 3min. I was able to get more contrast and blacker blacks using a grade 2-1/2 filter than with the previous dilution/grade/time. And better still, the print "opened up" and the luminosity was back. Nice! (For what it's worth, the Film/Dev was txp320 hc-110 1:64 tray processed.) It is a whole lot of fun getting to know your tools! My next quest is to find a way to selenium tone the MGIV for the added depth without incurring any purple color change. Any suggestions?
I recently installed my beseler 810 conversion on an mcrx and am using special cut 12x12 ilford filters.
My favorite paper has been discontinued, kodak polymax fb. I'm exploring Ilford MGIVFB.
I made a print using Dektol 1:3 @70F for 2min with a filter grade of 4-1/2 and was happy with the contrast I got from a short SBR neg. However, the luminosity I experienced at the scene and with the 8x10 contact print was missing. The blacks were not making me happy either. So, I mixed up another batch of developer (Dektol) but this time used it 1:1 @ 70F for 3min. I was able to get more contrast and blacker blacks using a grade 2-1/2 filter than with the previous dilution/grade/time. And better still, the print "opened up" and the luminosity was back. Nice! (For what it's worth, the Film/Dev was txp320 hc-110 1:64 tray processed.) It is a whole lot of fun getting to know your tools! My next quest is to find a way to selenium tone the MGIV for the added depth without incurring any purple color change. Any suggestions?