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I'm sure Doug shoots from blinds sometimes (as have I) and has taken advantage of natural forms of concealment in the field, but he's written about his technique, and often it's just knowing how not to look like a predator. Art Morris, who is more well known and is always up to date with the latest technology uses many of the same techniques. Both of them are naturalists first, photographers second. This is more important than the gear. Sure there are some amazing things done with focus traps and such, but they are no substitute for basic knowledge of the subject. Bird photography is a very tough discipline, and any way you slice it, it's a lot of time in the field, a lot of missed shots.
Absolutely yes.
Even using a blind is not so easy. Birds are clever creatures. As an example, photographers have to enter in two persons and then after a while one leaves the hide so that the bird think the blind is empty, it seems!. The manoeuvre has to be repeated every day. The photographer often remains in the hide until night.
There are more favourable situations, though, where the birds are accustomed to human presence, such as on fixed hides in parks. I remember a birdwatcher hide in the Riserva Naturale di Macchiagrande, Rome, straight over a pond, where a Falco di Palude (Circus aeruginosus) was going around at comfortable shooting distance and many other birds were easily visible among which an Airone Rosso (Ardea purpurea), it goes without saying I was without a camera and it was backlit anyway). When I was younger I tried to do some of this kind of photography (my hide was my green car with the rear door opened) and I can attest it gives the "shiver" (just like birdwatching in general).
Another example is being lucky enough to have a garden in the countryside, set some natural perches and having a camera constantly aimed at the perch. Having the habit of sitting near the camera reading books helps.