I'm sure Doug shoots from blinds sometimes (as have I) and has taken advantage of natural forms of concealment in the field, but he's written about his technique, and often it's just knowing how not to look like a predator. Art Morris, who is more well known and is always up to date with the latest technology uses many of the same techniques. Both of them are naturalists first, photographers second. This is more important than the gear. Sure there are some amazing things done with focus traps and such, but they are no substitute for basic knowledge of the subject. Bird photography is a very tough discipline, and any way you slice it, it's a lot of time in the field, a lot of missed shots.
The unfortunate presumption here is that digital=easy.
Master digital retouchers aren't hacks. Digital processes don't axiomatically de-skill photographers and printers.
Since I doubt you've seen Bob's work, it's troubling that you all but say it's somehow "less" than the non-computer based printing and darkroom work he did for years.
BTW, Michaelangelo didn't chisel David by himself, no more than Old Masters works didn't rely on underpainters.
But I think it's now time for me to excuse myself from this thread.
Ken
BTW, Michaelangelo didn't chisel David by himself, no more than Old Masters works didn't rely on underpainters.
That's great! Practice makes perfect.We've come a long way since 2012.
Op...there are no photo police...we can do as we like.
Not true. Automatically censored to protect the morons that get burning eyes and vomit 360 degrees when anything digital get's mentioned. They should crawl back into the womb.
The bad thing is I enabled them by paying membership. No more.
I used to be in here every day. Maybe 4 times this year. Oh well.
The world may be more colorful than you think it is. In addition to black, white and 18%... there are 253 other shades too!
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