I don't know anyone who still plays music using vinyl records on a turntable. But apparently, there's a huge market for them. Of course, compared to other methods like streaming music, it's a tiny market.
I think it's similar with film.
Interesting that CDs sales are growing. CDs take up space, and cars no longer have CD players. I kind of understand the popularity of LPs, a similar phenomenon to film. A fragile medium that requires special equipment and care in implementing. A properly mastered CD or hi-def digital file sounds better on a decent hi-fi than most any LP unless it's played on a turntable in a system that costs as much as a new car.Vinyl & CD Sales Both Increased In 2021, Streaming Remains Insanely Popular - Metal Injection
And digital downloads aren't doing so hot.metalinjection.net
Vinyl overtook CDs solidly a few years ago. It’s consistently a good chunk over 1 billion dollars in the US per year.
And remember, this is freshly pressed vinyl. Not second hand or old stock.
It’s a real market.
Couldn’t come up with global numbers.
What’s even more amazing is that CDs are growing again. Showing a steady increase in sales.
Of course physical media can’t compete with streaming or even download. It’s just too damn convenient.
Basically those two markets are the new combined effect of what radio and rampant tape pirating once was.
But the market for physical media is healthy and has been so for a long time.
Marshall McLuhan was absolutely right.
Interesting that CDs sales are growing. CDs take up space, and cars no longer have CD players. I kind of understand the popularity of LPs, a similar phenomenon to film. A fragile medium that requires special equipment and care in implementing. A properly mastered CD or hi-def digital file sounds better on a decent hi-fi than most any LP unless it's played on a turntable in a system that costs as much as a new car.
One reason I think a lot of interest in film is fad-driven is the plethora of odd emulsions available, making film photography a kind of artsy crap shoot, giving distorted results.
That is why my entire music collection is digitized. But no MP3s. I only listen to streaming or YouTube videos if I want to explore or sample a piece before adding it to my collection. Before I digitized everything, my CDs took up two large cabinets--I think I have around 3,000 albums. Plus the old LPs, of course. But they mostly stay on the shelf.Because at the drop of a hat your favorite album is gone from a streaming service. Or replaced with a version that is not what you remember. Go check up a Youtube video of The Traveling Wilburys. It's been autotuned. WHY?! And that's why I like to own my music.
Kay Starr? I thought I was old.
Actually, I listen to 40's music all the time on XM Serius satellite. I'm a WWII era baby born in 1945. But my records are gone as is my Akai reel-to-reel tape player, Acoustic Research AR-2a speakers, Fisher home-built kit amp-preamp, and tuner. I sold my CD collection for about 50 cents a disk.
Not true at all.Interesting that CDs sales are growing. CDs take up space, and cars no longer have CD players. I kind of understand the popularity of LPs, a similar phenomenon to film. A fragile medium that requires special equipment and care in implementing. A properly mastered CD or hi-def digital file sounds better on a decent hi-fi than most any LP unless it's played on a turntable in a system that costs as much as a new car.
Not true at all.
You can enjoy the benefits of Vinyl with a cheap but solid turntable like the Sony or Sansuis (or the plethora of other manufacturers than the super overhyped Technics).
Just make sure the needle is not worn out (a new needle is not hard to install) and that the pickup is good.
Then you need a good RIAA amp. But those can be had in budget bomb versions too with a tiny bit of research.
Normal Vinyl sounds fantastic if not mistreated, well mastered (digital mastering is fine, this is not religion) and on good thick substrate. But then there is the whole deal with 45 albums, where the sound quality is something else entirely.
And if you can find or happen to have decoders and are lucky to find albums recorded with DBX and CX, that is another upgrade or at least different quality to the sound from normal vinyl.
Think of it as audible 'grain'. That might make it more tolerable...low level groove noise. Others seem to be able to tune it out.
Think of it as audible 'grain'. That might make it more tolerable
I have heard vinyl on several ~$100,000 turntables with ~$50,000 cartridges, along with similarly costly electronics (both tube and solid state) and loudspeakers, and prefer digital. There is no getting way from the groove noise associated with vinyl, which, for me, mars the listening experience. I am not talking about pops and ticks which can be controlled with sophisticated vinyl cleaning machines and anti-static treatments, but low level groove noise. Others seem to be able to tune it out. There are things that they don't like about digital. And they enjoy the ritual of vinyl. So we each pick our poison, and should be allowed to do so.
Setting up a full D' system with good lenses are unaffordable for many.
My personally regret is not getting those good analog stuff way before, like Rolleiflex or Hassy et al.
Nevertheless, I am shooting film only these days and for the snap shots the smartphones are doing okay job and also wish for more filme and paper.
Now one just has to wait longer between buying lenses.
I don't know anyone who still plays music using vinyl records on a turntable. But apparently, there's a huge market for them. Of course, compared to other methods like streaming music, it's a tiny market.
I think it's similar with film.
The ignominy of driving a 15 year old Honda. Is he not selling enough vinyl records to afford a more respectable ride?Spotify reduced a man who has had a near 50 year career at the sharp end of rock music including a decade as a full member of a household name band to driving a 15 year old Honda Civic because he makes almost no money from streaming.
I was going to add Foto Care in NYC, but I see they've gone to the devil, I mean digital, I also really miss Lens and Repro, a store that had a great supply of antique lenses and Graflex cameras.
Let me introduce myself. I had a brief flirtation with CDs 1987-89 before going back to vinyl and never looking back. I buy CDs only where the music is not available on a better format (vinyl or 24-bit lossless download...I miss DVD-A too). 80% of my music listening is on vinyl. 10% from magnetic tape. 10% digital. I even have an office turntable. I realised that tide was turning about 10 years ago when my cousin visited with his kids. I was searching for a record cousin and I used to enjoy as teenagers and this 10 year old kid said "Ooooh, vinyl. Do you know they're better than CDs?". Even Audio-Technica are re-releasing the Sound Burger. Record players and turntables at all price points are selling. Last year the most popular Christmas purchase from one major, mainstream retailer in the UK was.....a turntable. Rega now do great business at the Ideal Home Show. I've even seen half decent, non-destructive turntables on sale at the supermarket (yay Tesco!).
And no, one does not need a turntable and amp that cost as much as a car. While I am very happy that I invested in a Systemdek for home use back in 1991 (probably the most shrewd purchase I ever made), my office turntable is a modest 80s model sold under several names (Sansui, Memorex, Marantz to name three). And even through my 42 year old Realistic micro amp it sounds audibly better than streaming from my office computer. A few years ago I restored my late father's 1960s Garrard and gave it to a friend who plays it through a Bose bluetooth speaker. Knocks the socks off Spotify etc.
In the last four years (pandemic aside) I've been seeing a lot of small bands at a jazz and blues club. They've also seen a shift into people wanting to buy their music on vinyl records and not CDs. Music lovers who want to *listen* to the music. I have a fair few musician friends (including one or two famous ones) who say the same, their music is selling on vinyl and they're starting to actually make money from music again. Let me tell you, Spotify reduced a man who has had a near 50 year career at the sharp end of rock music including a decade as a full member of a household name band to driving a 15 year old Honda Civic because he makes almost no money from streaming.
As for film being a fad and driven by the come and go weird films.....again....read the info being presented. Kodak are hiring people to manufacture 35mm C41 film because of specific, sustained increase in demand for colour 35mm film. Retailers cannot get hold of enough C41 colour film. Film cameras are flying off shelves of brick and mortar shops and prices on auction sites and even charity shops/flea markets have doubled in recent times. TALK to the people selling these items and they tell you people are buying them to use, not to display or turn into a novelty desk lamp (oh, the horror).
The greater part of my collection of opera records is in LPs. Much of my collection was built up on the cheap when folks were dumping their LPs in favor of CDs. Complete operas for $5! Many operas never transferred to CDs. The golden age for opera recordings was ‘fifties to ‘seventies, while true opera singing was plentiful.
I still have my MJQ, Bird, Dizzy, etc LPs I bought in 1950s. Also 45s and 78s.
Took my grandson to Thomas Edison laboratory where early cylinders were played on early Edison phonographs. The cost of those simple machines, in contemporary dollars, rivaled high end equipment today.
The ignominy of driving a 15 year old Honda. Is he not selling enough vinyl records to afford a more respectable ride?
Fully agree that there's plenty of great music that never made it to CD or streaming. And often where a historic recording has made it into the digital realm, it's been "remastered" beyond recognition. There are some exceptions, I have a wonderful 2010's pressing of Miles Davis Kind Of Blue. Indeed jazz and classical music tend to be more sensitively remastered. Try buying a modern edition of a 70s progressive rock LP. Bears almost no resemblance to the original release with the Genesis remasters in particular being travesties. With new material, usually the mastering for vinyl is completely different to that for CD and streaming. They even often get a different mastering engineer to do it.
I am familiar with the evils of current recording practices and remastering rock. Here is a piece I wrote on it a while back when I was reviewing high end audio equipment.
Nine Inch Nails – Audiophile Master? Are You Kidding Me? | Ultra High-End Audio and Home Theater Review
It has been all over the internet. Nine Inch Nails has released a new album - Hesitation Marks - in two versions: Audiophile Mastered and standard. H...web.archive.org
Loudness wars. Ugh.
You think the new Revolver album clipped all the highs and lows too?
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