which will most like jeopardise the quality of the negative with bad processing, cross colour etc etc.
Fuji Hunt for 50 films?
You're not seriously suggesting someone save up 50 films to process in one batch? In my case, that would mean saving up about a year's worth of shooting and then lock myself up in the darkroom for a few days to get it all over with. That sounds horrible.
I don’t know but I am only assuming you are not choosing to store the chemicals so long that you might give a try after months of last developing. Plus I know you are using top quality chemicals which are really well maintained. Also you (probably) start to deviate from the standard after having enough experience. I have not said it will give poor image quality automatically but certainly the very unnecessary risks are increasing. At the end of the day, once negatives are developed, there is no way to correct them. Why would you risk your negatives if there is a better way of developing them?My experience is otherwise. I don't think what @Cerebum is trying to do is impossible or will automatically involve risks of poor image quality. Heck, I know it doesn't have to be that way, because I've been doing for years what he's about to do.
I am only assuming you are not choosing to store the chemicals so long that you might give a try after months of last developing
trying to save a new film shooter
I meant, “I’m thinking you are not preparing all the chemicals and then develop a roll and after 4-5 months develop another one. Based on what you’ve said, I think you develop regularly and then you also have an idea to check the quality and output. Not to mention you are using 12.5L Fuji kit which is probably different than consumer kits and can be stored longer (maybe?) Also as I know you, based on your input on this forum, you are well studied on the subject and can mitigate the risks and assess the output quality. Am I wrong? ( because I keep asking you questions and following up your recommendationsI don't know what that word group means exactly, but I've used Fuji developer way beyond 18 months after mixing it. I use it one shot, but the main batch (12.5L) lasts me a long time, so as a matter of course, when I get to the last bottles, it's quite old. It looks and performs precisely the same as the fresh stuff at that point.
That's well-intended, but I've often seen people trying to "save" others by recommending not doing something. I always feel a little sorry whenever that happens, especially if these people never asked to be "saved" in that particular way and it's debatable whether they're really being "saved" at all.
I'm sorry to be very critical about your intervention, but I really am. Do whatever works well for you and what you like, but please don't attack a system that you've evidently not seen perform in practice.
There's so much conservatism in analog photography (which is probably logical) and a lot of the time it holds people back. I find that a shame.
I’m thinking you are not preparing all the chemicals and then develop a roll and after 4-5 months develop another one.
Not to mention you are using 12.5L Fuji kit which is probably different than consumer kits and can be stored longer (maybe?)
OP has mentioned he lost already a film due to bad ID11 keeping
he is trying to save money on C41 developing
That’s like £1.2 without risking the negatives that much
You really don’t need to be. I didn’t take it personally at all.Again, I'm sorry to be critical; I really do appreciate your concern and your best intentions.
I personally choose to mix all the developer into working strength in one go and then store that in entirely full, glass bottles. This has worked well for me for years.
After developing a roll or two, you will have a partly-full bottle. I assume you transfer that to smaller bottles that are completely full.
Have you tried a air-blocker such as argon gas or a floating lid?
I meant, “I’m thinking you are not preparing all the chemicals and then develop a roll and after 4-5 months develop another one.
I've been doing exactly this for the past 15 years. My negatives scan and print just fine.
Hi. I might need some help with Agfacolor CT13 2x8mm from 1968... )) it is just for pleasure and play
I have been using Bellini 1L kits for a while now, and it seems I will upgrade to 2.5L or 5L soon since my volume has increased.
Right now the only 3-bath kit in stock in the US is 2.5L Jobo kit. I think I will give it a go.
5L Fuji Hunt Press Kit is on back-order everywhere, and ETA of August.
I get 16 good rolls out of the Bellini C41 1L kits, then I use the chemical for weird cross processing stuff.
Its looking likely that Bellini will be my kit of choice. How menu rolls do you get from 1l?
Re the Fuji, I have read that the Rollei kit is Fuji chem. My friend uses it all the time and loves it.
Re other stuff. I was watching a lot on eBay, Tetenal RA-4 photopearls, ilford Cibachrome and tetenal c41 phototabs. All NIB. The Cibachrome dates it at 2012 at the latest. The description was minimal yet someone paid £39.99 .... Seems a bit bonkers to me. Maybe it will work and it is a bargain, but its not a gamble I would choose.
I recently shot some Ektar and am working through a roll of Phoenix. I priced up developing and scanning and remembered why I don't shoot colour, but, I could if I could find a cost effective way of doing C41 that doesn't require a huge outlay. My problem with the kits is that I am unlikely to shoot more than a couple of rolls of colour per month. Is there a convenient way to develop colour that won't die before I get my monies worth?
Also, I know where I can maybe get some tetenal, c41 colourtabs, but I don't know what they are. Any wisdom is, as always, gratefully recieved
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