abruzzi
Member
I don't have any Bergger packaging around, but I'd be curious to know if it says which country the film is manufactured in.
Made in Germany. (on a 120 box of Pancro400) I assume that means Invisiocoat?
I don't have any Bergger packaging around, but I'd be curious to know if it says which country the film is manufactured in.
Just prior to the pandemic they had sold the best dupe film I've ever used. .Great results and virtually scratch proof. Whoever made it must have gone out Business
Here's some of the facts. They have the formulas from the now defunct guillemont photo company which was the longest standing photo materials company in the world prior to its demise
Zone VI paper was made by them.
So don't be fooled thinking they actually make anything
Im betting that the Chinese will be making more of the materials we appreciate
Cant recite the company but they posted here about having a coating machine and working on a cubic type film
It only makes sense in a revolving world of commerce that they are having a hard time sourcing materials to sell with tariffs etc.; and companies probably asking for cash upfront to make products
MacoDirect shows all Bergger films sold out.
Ready to ship today,
Delivery time appr. 1-4 working days
Odd - I see MacoDirect having the 120 as
Just prior to the pandemic they had sold the best dupe film I've ever used. .Great results and virtually scratch proof. Whoever made it must have gone out Business
Here's some of the facts. They have the formulas from the now defunct guillemont photo company which was the longest standing photo materials company in the world prior to its demise
Zone VI paper was made by them.
So don't be fooled thinking they actually make anything
Im betting that the Chinese will be making more of the materials we appreciate
Cant recite the company but they posted here about having a coating machine and working on a cubic type film
It only makes sense in a revolving world of commerce that they are having a hard time sourcing materials to sell with tariffs etc.; and companies probably asking for cash upfront to make products
My understanding is that Bergger Pancro 400 shares some lineage with AgfaPan APX 400, given that it is coated at InovisCoat on former Agfa equipment by ex-Agfa engineers.
Thanks Miha, do you know if there's any current film that shares lineage with the old Agfapan APX 100? Any of the Lomo films perhaps?
Ask your dear president !
![]()
do you know if there's any current film that shares lineage with the old Agfapan APX 100? Any of the Lomo films perhaps?
Much of what was specific to APX100 was the spectral sensitivity - with a significant peak in the green, and a drop-off to a lower plateau in the red. Orwo NP100, UN54, and Lomo Potsdam 100 are, give-or-take additional anti-halation treatment all more-or-less identical APX 100 derivatives, but with rather different spectral sensitivity to APX - they don't have the green peak, and are more sensitive in the red where APX had dropped to a lower plateau. Adox CHS 100 II is also a deriative in a similar vein, with roughly the same spectral shift relative to APX 100 (Silvermax used up the last of the APX 100/ Scala (essentially the same emulsions etc, from all accounts, other than silver gsm level for reversal) sensitisers from what I understand) as the rest of the Inovis BW products, but now made on Adox's plant. Acros II has a green bump too, but later than APX 100, and again with the red sensitivity staying higher longer (and much more suppressed blue). Current TMax 400 is a bit closer to the style of sensitisation of APX 100 (TMY-II also having more suppressed blue like Acros) which seemingly harked back to an earlier era of panchromatic sensitivity, but those shorter red sensitisations seem to have made a return as they seem to render scenes somewhat closer to how the human eye sees/ perceives them. Experimenting with Wratten #11/#13 (X0/ X1/ yellow-green or green) filtration or even something like Ortho Plus may be worthwhile for what you are after.
APX 400 didn't have that sensitisation (more conventional hyperpanchromatic instead), and what became Pancro 400, Orwo P400/ N74+ and Lomo Berlin Kino was seemingly from an attempt to Tri-X-ify APX 400's characteristics around the time of Kodak's bankruptcy.
@albireo One other aspect about the current Inovis/ Orwo et al post-Agfa derivatives is that they have somewhat less fine granularity than APX100 had (which was nominally a little finer than Kodak TMY-II), again probably related to components that are/ were not economically viable to re-synthesise/ replace.
Anecdotally I have personal experience of this - I have found Adox CHS II 100 to be noticeably more grainy than Adox Silvermax (which I understand was the most recent closest relative of Agfapan APX 100).
We don’t really know what the supply chain issues are, so we can only speculate. Companies like Bergger - who do not actually make anything; they only contract other manufacturers to make things for their brand - obfuscate the origins of the products they se
Much of what was specific to APX100 was the spectral sensitivity - with a significant peak in the green, and a drop-off to a lower plateau in the red. Orwo NP100, UN54, and Lomo Potsdam 100 are, give-or-take additional anti-halation treatment all more-or-less identical APX 100 derivatives, but with rather different spectral sensitivity to APX - they don't have the green peak, and are more sensitive in the red where APX had dropped to a lower plateau. Adox CHS 100 II is also a deriative in a similar vein, with roughly the same spectral shift relative to APX 100 (Silvermax used up the last of the APX 100/ Scala (essentially the same emulsions etc, from all accounts, other than silver gsm level for reversal) sensitisers from what I understand) as the rest of the Inovis BW products, but now made on Adox's plant. Acros II has a green bump too, but later than APX 100, and again with the red sensitivity staying higher longer (and much more suppressed blue). Current TMax 400 is a bit closer to the style of sensitisation of APX 100 (TMY-II also having more suppressed blue like Acros) which seemingly harked back to an earlier era of panchromatic sensitivity, but those shorter red sensitisations seem to have made a return as they seem to render scenes somewhat closer to how the human eye sees/ perceives them. Experimenting with Wratten #11/#13 (X0/ X1/ yellow-green or green) filtration or even something like Ortho Plus may be worthwhile for what you are after.
APX 400 didn't have that sensitisation (more conventional hyperpanchromatic instead), and what became Pancro 400, Orwo P400/ N74+ and Lomo Berlin Kino was seemingly from an attempt to Tri-X-ify APX 400's characteristics around the time of Kodak's bankruptcy.
I will add that having been doing this for a very long time and having used there products, there have always been supply issues and gaps in availability. They have come up with some unique and lovely formulas over the years and that is what is important, the formula.
The unique properties of Pancro 400 are irrelevant if you cannot BUY it for five years in a row!
| Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links. To read our full affiliate disclosure statement please click Here. |
PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY: ![]() |
