I've sent a request to order 2x boxes of 5x4" 'film' - I actually bought a roll of Korean Hanji paper in August (from a poorly identified, and difficult to find upstairs shop in Seoul!) with a mind to coating it with liquid emulsion of some sort for a similar end. It'll be interesting to see how this works (and what the hell, I'm in the crazy Double X film order too, so it's clearly that season).
Marc!
That "outrageous VAT" lies inbetween the limits the EU agreed on (15-27%)
The average (with only few peaks) is at 21.5%.
In the film/paper purchase thread Toadmen said he bought some. Waiting to hear his results.
Here is a youtube film about developing Washi Film:
[video=youtube;C1tuezJExpM]https://www.youtube.com/watch?v=C1tuezJExpM[/video]
It's French spoken, but the images speak for itself.
Kodak once made what they called a "document weight" F-2 Kodabromide that could be used to make what we called in the old days "paper negatives. You put a negative in the enlarger and made a print. After the print was dry, you could do a certain amount of retouching. Then you contacted that print on to another piece of paper and developed it. This, of course, yielded a negative which could also be retouched. When this was contact printed on to a third piece of paper, you had your final print. In the hands of the right person, these were works of art. I think Mortenson worked with these some......RegardsIt sounds like it can be developed in the likes of Dektol or Ilford MG/PQ.
I was intrigued to read that it can be "printed using in an enlarger." It's not a transparency as far as I can tell. Is the paper that thin?
Hello all!!
I'm the one who made this video. Good news!!! I just did the english subtitles... My english is not perfect, but it will give you a very good idea of what I'm explaining
Enjoy the video!
Gaetan Cormier
Kodak once made what they called a "document weight" F-2 Kodabromide that could be used to make what we called in the old days "paper negatives. You put a negative in the enlarger and made a print. After the print was dry, you could do a certain amount of retouching. Then you contacted that print on to another piece of paper and developed it. This, of course, yielded a negative which could also be retouched. When this was contact printed on to a third piece of paper, you had your final print. In the hands of the right person, these were works of art. I think Mortenson worked with these some......Regards
Kodak once made what they called a "document weight" F-2 Kodabromide that could be used to make what we called in the old days "paper negatives. You put a negative in the enlarger and made a print. After the print was dry, you could do a certain amount of retouching. Then you contacted that print on to another piece of paper and developed it. This, of course, yielded a negative which could also be retouched. When this was contact printed on to a third piece of paper, you had your final print. In the hands of the right person, these were works of art. I think Mortenson worked with these some......Regards
comment mince est le papier?
il semblait être très frisés ...
(Je sais qu'il ya différents types de mulbury (washi) papiers.
sont les dernières images de l'agrandisseur? ou contacter?
john
the images at the end of my video are scanned with an Epson V500
Bonjour John!
I'll reply in english since we are in the english section of the forum.
So your questions were if the washi film is thin and if the last images in my video were prints made at the enlarger or contact prints...
Washi film is very very thin and that's probably the main reason why it curls so much and the images at the end of my video are scanned with an Epson V500
thanks!
is it like tissue paper thin ? or just thin paper?
is it easy to flatten after they are dried, or is it
equally as curly as you attempt to scan it ?
i self-coat papers all the time and that is a problem
i sometimes have as well ...
i imagine the sheet-sizes are easier to use ...
( thanks for the translation ! )
john
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