The problem with the beef analogy is no one has told us whether frozen and fresh film taste any different.
Thanks but
as EFKE don't pre harden any of their film like Kodak do suggest you should
- not prewash
- hold all solutions to within 3 degrees F ( including wash) of prior solution
- use plain water stop
I also use plain hypo fix ( no acid)
I always process like that
All my Efke was 35mm and ok...
The only strange thing I had was the cassettes were not crimped like Kodaks again this was normal 60 years ago so I was not troubled. You need to not drop them...
Thanks, I don't have anymore, except the IR stuff, I was told the EFKEitis was caused by static in the factory when coating was happening, remember these are black spots on the print, I've had issue with FOMA with emulsion LIFTS on the film due to acid stop, but this was a different look, very distinct shape rice grain. Also, I don't feel like I should have to change my entire process and buy a whole new set of chemicals just to develop a film. The fact that you have to go to special lengths to process it without error is just another example of a poorly designed product.
It I have serious issues with the IR820 I'll use a water stop but I'm not changing my fixer or buying new chemicals just for it, that's silly.
Static would normally leave white tracks on prints?
The EFKE is similar to the Foma.
Hope the IR works ok for you.
It I have serious issues with the IR820 I'll use a water stop but I'm not changing my fixer or buying new chemicals just for it, that's silly.
whether it is frozen, fridge, or ambient stored ( my method of choice )
the most important thing to do is shooting, and enjoying the film.
unfortunately too much emphasis is put on the storage and bragging
about films.
OK, I probably have one of the largest stashes on this site, but I do use it and rotate stock and refresh the stuff currently made quarterly, it is a plan I adopted from several fine art pros I know.
Plus, I do leave a little space for Kush, Bubble Gum and Purple Diesel...![]()
It is one of those things. I just love seeing those images.Based on some of the answers in this thread, I don't really know what good a photo of a pile of film would do really.....
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Based on some of the answers in this thread, I don't really know what good a photo of a pile of film would do really.....
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Considering the cost of the film, the fact it is not made anymore, you usually can not reshoot the types of unique images that IR gives, gas and other incidental expenses, the above statement is just insane. You have *got* to start earning more money sir, that way you can get your priorities straight....
OK, I probably have one of the largest stashes on this site, but I do use it and rotate stock and refresh the stuff currently made quarterly, it is a plan I adopted from several fine art pros I know.
Plus, I do leave a little space for Kush, Bubble Gum and Purple Diesel...![]()
I have shown this one before but it is really better to show photos made with it that move you, I used to have a good number on this site before I left for awhile due to Kodak bashing. Not sure how to rotate the image back, uploaded from my phone as I make the call on an ad shoot, cancelled due to weather...
Good ideas and good intentions often expire before film does...
I have shown this one before but it is really better to show photos made with it that move you, I used to have a good number on this site before I left for awhile due to Kodak bashing. Not sure how to rotate the image back, uploaded from my phone as I make the call on an ad shoot, cancelled due to weather...
Good ideas and good intentions often expire before film does...
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