jtk
Member
Inspiration can be the result of work. Failure can also be the result of work.
Inspiration can be the result of work. Failure can also be the result of work.
+ visits to the VAG, frequent thumbing through my old Queen's art history textbooks (especially 19th century), and, of course, my city itself. I hold the opinion that if you can't make meaningful images in Vancouver, it's time to find a new pastime...Same places as I've always found it - light, colour, texture, people.
Failure can be used for learning.
What type of photography do you do?I don't analyse before taking a picture any more. Looking back over decades, my favourite shots are the ones I didn't give much thought to. They're the last photographs on a film, or throwaway images, not the stuff I thought was important at the time. My inspiration is turning these old shots into books, combined with keeping a steady output now.
Messy photography. People in environments, mostly. I used to document situations, and carefully compose the shot, but found in hindsight the images bored me. I still record places and events, but without an element of chaos or complexity in the shot I don't relate to the image as a photograph.What type of photography do you do?
That's good though-you don't always have to get your camera out. Enjoying the moment and not rushing around madly are good...contemplate more and maybe produce less. Also I totally agree with what Eric says about taking the long view and stepping back a bit to ask what really matters. It's so easy to get caught up in the day to day rush and stress out about really little things , especially with smartphones, 24 hour news and the net life can feel like BAM BAM BAM all the time.I seem to be having a different sort of issue the past 6 months or so. I've been getting out on adventures and I always bring a camera with me. I keep finding these great scenes, but rather than taking the photo, I often just put the camera down and sit and enjoy the moment and keep it to myself.
Yes, as it's important to look at lots of different art forms ...it can be too easy to just stay in your visual comfort zone.ive been finding it in russian constructavist paintings and the work of arshile gorkey and others from that time
I know the feeling only too well!The worst thing is encountering the opportunity for an inspired shot (composition, point of view, lighting...all perfect), but being without a camera at the time.
This is a cracking listen as well- a boss tune by the mighty Bunnymen!IDK wallendo .. im not wearing my rose colored glasses much these days, i guess i ate the blue pill
listening to throbbing gristle once in a while ( 20 jazz funk greats is a pretty good album >>> https://www.allmusic.com/album/20-jazz-funk-greats-mw0000674783 )
and im drinking a lot of municipal water its pretty phar-out stuff.
i'd rather not photograph the decline of western civilization** to be honest, i've watched the film though, it has a great soundtrack if you are into la in the 70s...!
im already having a good time doing what im doing.
but thanks for the suggestions !
** the closest i get is photographing infrastructure, brutalist architecture, buildigs being demolished, industrial architecture from
the 1800s, and free standing commercial blocks buildt between ww1 and ww2 .. not to mention movers and shakers.
its as close as i will get to be honest
Forget about the "kind of photographs you want to make". Sometimes (at least for me) having a preconceived idea of what I want to do interferes with whatever I find myself doing. Often it's quite different than my original intent. I think the majority of the most satisfying work I've done, over the last few years, has been stuff which in no way resembled what I had planned. I'm learning to fight the inclination to remain focused on my original project. Just roll with it...how do you stay positive, focused ( or unfocused ) and inspired to make whatever kind of photographs you want to make?
That's true, and I've made many a good picture just through having my trusty Trip with me. Also never forget to be open to the unexpected.I'm going to disagree a little bit with eddie.
I think it is great to have projects - "photographs you want to make". Going out there with a purpose is energizing, even if only to the extent that it gets you out there with a camera at the ready.
It is important though to always be open to that which you discover by happenstance - to be able to shift gears at an instance when something inspires you.
Maybe the best argument there is for carrying an extra camera or camera body (and lots of film!).
Forget about the "kind of photographs you want to make".
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