Tom Kershaw
Subscriber
Film developers seem to be a more nuanced area than paper developers where in many cases you'd have to look very hard to see differences outside the major type demarcations.
Yes, Ilfosol-3 is great. Just the needed boost in sharpness and contradt that TMAX100 needs.
I think sharpness and accutance are sometimes used interchangeably and they are two different things. A film can be very sharp with low accutance. In my limited experience of T-max 100, that is the case here. I found it great for female portraits.Maybe I'm reading this wrong, but the last things T-Max 100 needs are sharpness and contrast. It offers loads of both, in my experience. Isn't it the sharpest ISO 100 film in Kodak's marketing materials?
I'm not sure that you are using "sharpness" here the way most people do.I think sharpness and accutance are sometimes used interchangeably and they are two different things. A film can be very sharp with low accutance. In my limited experience of T-max 100, that is the case here. I found it great for female portraits.
Thankyou for clarifying my clumsy explanation. That's exactly what I meant to sayI'm not sure that you are using "sharpness" here the way most people do.
"Sharpness" is very closely related to acutance - most of what we observe subjectively as "sharpness" is actually just edge contrast (accutance).
Resolution - the ability to record fine detail - is the characteristic that T-Max 100 excels at, but which can actually reduce the appearance of sharpness.
Grainy Tri-X often appears "sharper" than T-Max 100. The fine gradations and tonal transitions that T-Max 100 is capable of are what make it excellent for portraits. Tri-X is more likely to emphasize wrinkles.
Great stuff Andrew. I have always thought that D23 may be a cheap but good way to go. Or add a little salt and make Perceptol ?Slightly off topic but as I mentioned earlier in this thread, my students use Ilfosol 3 at 1+14. For semester two, I'm going to be using Ilford MG developer, diluted at 1+60. I used it with HP5 back in the 90's, and I was quite impressed with the results. This way I can simplify my purchases, and save money for film... that has gone up quite a bit over the past couple of years! On a tight budget, and Covid didn't help! We just finished farting around with caffenol, and the kids just loved it!
Slightly off topic but as I mentioned earlier in this thread, my students use Ilfosol 3 at 1+14. For semester two, I'm going to be using Ilford MG developer, diluted at 1+60. I used it with HP5 back in the 90's, and I was quite impressed with the results. This way I can simplify my purchases, and save money for film... that has gone up quite a bit over the past couple of years! On a tight budget, and Covid didn't help! We just finished farting around with caffenol, and the kids just loved it!
Slightly off topic but as I mentioned earlier in this thread, my students use Ilfosol 3 at 1+14. For semester two, I'm going to be using Ilford MG developer, diluted at 1+60. I used it with HP5 back in the 90's, and I was quite impressed with the results. This way I can simplify my purchases, and save money for film... that has gone up quite a bit over the past couple of years! On a tight budget, and Covid didn't help! We just finished farting around with caffenol, and the kids just loved it!
I remember back in late 1970s using Ilford PQ Universal in higher dilutions for 35mm and getting very good results. (I can't remember the exact dilutions but the times were 8 mins for 100 ASA and 12 mins for 400 ASA films, batched processed 12 films at a time in a hand line).
I would be very interested in seeing some of your results, please.
I remember back in late 1970s using Ilford PQ Universal in higher dilutions for 35mm and getting very good results. (I can't remember the exact dilutions but the times were 8 mins for 100 ASA and 12 mins for 400 ASA films, batched processed 12 films at a time in a hand line).
PQ Universal is usually recommended over Multigrade for film development - likely for good reasons (probably buffering or restrainers or something like that).
I've used PQ Universal at about 1+29 or so for film development in the last year or so - astoundingly low base fog & controllable contrast boosts (to quite drastic levels) if you need them. Watch out for the potential speed loss in some circumstances. Ilford has instructions for using PQ Universal for film processing in the PDF document for their paper developers.
1+39 would probably be a fair guess - I've seen old 1970's Ilford data that recommended 4 mins for FP4 and 6 mins for HP4 in 1+19 dilution for a G-Bar of 0.7 (ie cold cathode/ diffusion).
I would be very interested in seeing some of your results, please.
I remember back in late 1970s using Ilford PQ Universal in higher dilutions for 35mm and getting very good results. (I can't remember the exact dilutions but the times were 8 mins for 100 ASA and 12 mins for 400 ASA films, batched processed 12 films at a time in a hand line).
Shot a very short roll yesterday of FP4 (EI 100), and developed it in Ilford MG developer, 1+60. 9:30 20C. Agitation 5s every minute. Negative looks great (subject matter not so). B+F is the same as Ilfosol-3 at 1+14. This is the route my students will be going. Can't beat the economy!
View attachment 257032
Good.
what is “B+F”?
As far as the economy goes, it is very close to the price of 500ml Rodinal used at 1:50.
My rough calculation indicates that you save 0.02$ (Two cents) per developed roll.
Is saving 2 cents worth it, over a loss of quality? Then again, maybe there is a gain in quality?
edit: was too quick, it actually comes to 5.7 cents more expensive, per roll, with rodinal @ 1:50.
Thank you for posting the photo and the details.
To me the results look great.
Is this the new rodinal?
Or should it be Ilfonal?
(I know the keeping powers may not be the same)
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