I want A Hasselblad. Talk Me Out Of It!

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MattKing

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The reason I missed focus was that I was traipsing with him. I was carrying a lot as well, it was quite warm and fairly humid, and the droplets of sweat were getting into my eyes!
 

chuckroast

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Having humped a field camera around in all kinds of conditions, I'd much rather deal with cold and snow up to the middle of the tripod that high humidity and heat.

N.B. You can dress up to handle the cold, but you can only get undressed up to a certain point to handle the heat until the cops show up ...
 

BrianShaw

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<Brief Detour>

If true, we'll never know is whether Kodak modified a 500C to trigger electrically and that became the 500EL, or whether they built it on a prototype 500EL (assuming it was electrically advanced, which is likely), or whether they were entirely independent activities. It is an interesting coincidence that the 500EL prototype showed up in 1963 - the same year the KH-7 first flew!

Consult your favorite research resource if you want more info on the star field cameras using on the KH-7 and thereafter.

<We return now to the Hasselblad reliability debate and Andrew's purchasing conundrum>
See the section on "The Index Camera"

The Space Review: Mapping the dark side of the world (part 2): supplementing, and supplanting, the ARGON geodetic satellite program
 
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Andrew O'Neill

Andrew O'Neill

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The reason I missed focus was that I was traipsing with him. I was carrying a lot as well, it was quite warm and fairly humid, and the droplets of sweat were getting into my eyes!

I was relieved they we both managed to not trip and fall over those roots!
 

MattKing

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I was relieved they we both managed to not trip and fall over those roots!

They were purty though:
1764356727227.png
 

Michael Mutmansky

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Or a 60, 100, and 180 :wink:

I started with a 50/80/150 lens combo and now I also have the 60/100/180 combo... I feel I prefer the 60/100/180 but it would be easy to work with either, TBH.

the 60 works better with the SWC/M or the 40 IMO. The 180 works better with the 350 as well...

Goodness, I have sooo much Hassy gear now.
 

John Wiegerink

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I started with a 50/80/150 lens combo and now I also have the 60/100/180 combo... I feel I prefer the 60/100/180 but it would be easy to work with either, TBH.

the 60 works better with the SWC/M or the 40 IMO. The 180 works better with the 350 as well...

Goodness, I have sooo much Hassy gear now.
Maybe you could sell Andy some of your excess Hasselblad gear at a reasonable price to get the poor lad started on his way?????
 

Craig

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50-80-150 is perfect. So is any other combination, but no reason not to go with that most classic of lens combinations.
I have a Pentax 67 and I really like the 2 zooms. Between the 55-100 and the 90-180 I have everything covered. These are modern designs, so excellent performing lenses.
 

0x001688936CA08

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Hasselblad V system is overpriced, the shutters always need service, and the Zeiss lenses are no better than Mamiya.

If you want a nice looking object buy a Hasselblad.

If you want to make great pictures reliably and spend half the money, use a Mamiya.
 

0x001688936CA08

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Well you’re in luck!

Speaking subjectively, the only benefit of a 500 series Hasselblad is size, literally everything else is a compromise, with the exception of a few specific lenses.
 
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Andrew O'Neill

Andrew O'Neill

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Well you’re in luck!

Speaking subjectively, the only benefit of a 500 series Hasselblad is size, literally everything else is a compromise, with the exception of a few specific lenses.

Interchangeable backs (like on my RB) is a benefit.
 
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