Because you can't modify the shutter speed directly
Maybe you don't understand how the Agat 18 works. You CAN adjust the speed. The camera has no meter, so the ISO is irrelevant:
http://www.subclub.org/shop/mmz.htm
Maybe you don't understand how the Agat 18 works. You CAN adjust the speed. The camera has no meter, so the ISO is irrelevant:
http://www.subclub.org/shop/mmz.htm
Well, the native speed of Ilford 3200 is about ISO 1000, so that is the starting point for any discussions about what constitutes over-exposure.
The film has relatively low contrast when exposed at ISO 1000 and developed for that, so keep that in mind if you are planning to add even more exposure.
Do you have any insights into what the effect may be of shooting it at 800 iso but developing it at 3200?
A lot of shadow detail, but potentially too much density in the highlights.
Which may mean too much contrast.
If you use an EI (not ISO) of 800, some prefer development for 800, and some prefer development for 1600.
It is an unusual film, designed to minimize the penalty arising from under-exposing (metering at 3200) and partially compensating by extending (pushing) developing to 3200.
I have an Agat 18k half frame camera that I really enjoy and want to be able to use in lower light conditions. Because you can't modify the shutter speed directly, I had the thought of using Ilford Delta 3200 and overexposing it.
Unless I'm reading this wrong, second sentence does not follow the logic of the first. If you want to use a film in low-light conditions, you have to push the film, i.e., underexpose it.
Shooting Delta 3200 at 200 ISO in low light conditions would mean very long exposure times, which your camera is unable to do. If anything you should be shooting at 3200 or 6400.
Am I reading you wrong?
From what I just read, apparently all the ISO dial does is prohibit some of the exposure settings. So, if you set it to like 1600, it just won't let you put it onto the super sunny sailboat setting because it thinks it's too bright. So I guess I would just be talking about putting Ilford Delta 3200 in the camera and setting the ISO to like 200 so I can use all of the settings.
If you want to use a film in low-light conditions, you have to push the film, i.e., underexpose it.
Have you read the manual for your camera? Because I'm looking at it and it seems like you don't need to overexpose as you said you are planning on doing.
On a normal camera, if I put in 800 ISO film and set the camera to 400 ISO, the camera will think that the film needs more light and hence expose it for longer. So setting a lower ISO results in overexposure, if you develop at 800 ISO. Is this not correct?
Sure, but your camera does not have a meter and does not adjust anything. You have to do it.
On a normal camera, if I put in 800 ISO film and set the camera to 400 ISO, the camera will think that the film needs more light and hence expose it for longer. So setting a lower ISO results in overexposure, if you develop at 800 ISO. Is this not correct?
As a result, many people casually refer to the combination of under-exposing the film and then increasing the development as "pushing", but the critical part of what makes it "pushing" is the development change, not the underexposure.
Yes, I have read it. But what makes you say that?
Don't overthink it. Go and shoot the same scene with multiple ISO/shutter speed settings, develop as normal and inspect the results. Modern film has a lot of latitude for overexposure. Chances are you won't see any difference in prints made from negatives overexposed 2 or 4 stops.Just curious about this for fun/experimentation.
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