There’s no revolt in the cinemas, that youngsters would throw paint bombs on the screen, tear down the curtains and demolish loudspeakers hollering WE WANT FILM!
No, movies are binary numeric. All around the globe, of course with the exceptions of museums, archives, and special venues, motion pictures aren’t made with scissors and cement anymore. The mechanical editing of work prints, the optical benches, say Oxberry and Petersen, the humming projectors, it’s all gone.
Thank you, Quentin Tarantino, you revived 70 mm! Thank you, client XYZ of 2007, you made a short with an ARRIFLEX on 35 mm ORWO UN 54 that I had the joy of developing, printing, and presenting to you on a Steenbeck! Thank you, universe, that I was lucky to have known the photochemical-mechanical cinema, all the better and worse films we have seen projected!
Hipsters won’t change it. What are the 35 mm stills cameras in comparison to the Mitchell and the Panaflex that sit unused now? The printers that get sold or scrapped, the brutes
Sad. As Kevin Brownlow has put it: The Parade’s Gone By.