Well my note on the investment wanted to be a positive note, but it seems everything in this thread becomes negative one way or another. I'm still a bit confused, since the article clearly states that the investment was in FILM Ferrania, but it may be wrong, or inaccurate, or whatever. I guess really whatever at this point.
It sounds like they're investing in their property to keep the tenant happy. If Ferrania succeeds they get to keep collecting rent and taxes.
Surely Film Ferrania is not the only tenant in the Val Bormida technology park.
never say never. I'm sure when you will have more to show someone will show more interest, and that could be really good.So far, no one wishes to share any risks or potential profits - so we proceed forward as best we can, which means very slowly and very carefully.
Are you serious? Of course they took the money to make film. Specifically they took the money to:
1. Purchase and removal of Trixie, Walter and Big Boy
2. Expenses for packing and shipping the rewards
The rewards were promised to be produced in 2015 and shipped in April the same year.
Read for yourself:
Dead Link Removed
So you are the one that ignore facts and your post was clearly a rambling on the "dishonest side".
If someone takes in more than 1 million euro and $300,000 from a Kickstarter project, they have a responsibility to be transparent with information.
If it now turns out to be true that they are busy making some new film for a research laboratory instead of working to make the color slide film, I think many backers will be quite upset and rightfully so.
We'll see if David Bias will return to comment on this?
It is a fact that people backed Ferrania in the hope they would succede and make colour reversal film. Don't tell me you payd some random company just to move a piece of machinery from a building to another.
My opinion is that they won't make (in the next few years) any colour reversal film.
clearer now?
The investment of 1.8 milions is not for building roads. It is to recover the whole technological estate of Val Bormida.
May I ask you how would you feel if it turns up that no colour film will ever be made by this company? If you could set back the clock, would you still pay them to restore "trixi" ,"Caio" and "Sempronio"?
Since the whole project started, there always was a good reason not to deliver what promised. First the bad weather that "shut the window", then they realize there was no road...come on mate, this is not the behaviour professionals should lead.
People backed this project because they made it sound that whithin a few years they would have made colour reversal film available again, they even published a schotch chrome data sheet to say the type of film we could expect. If they wouldn't have said that nobody would have backed them. After many years all you are left with is a poor quality (utterly redundant) expansive low ISO BW film that they never talked about to start with. I dfon't call this attitude professional.
As long as the roof doesn´t grow legs and runs away or a meteor hits the building bullseye, no money is wasted or lost. The analog community would be the only one to loose a lot if Ferrania did fail. And till now the whole team of Ferrania showed such an enourmous endurance, a meteor is probably one of the few things being able to stop them.
And for that i give them credit.
nor does yours.His opinions don't hold much weight here.
How many companies are out there, nowadays, who still are capable of producing color film? Agfa is gone, Fuji seems to retrieve all the time and Kodak is a bit "wobbly" - regrettfully again right now.
Let´s take Foma for example. They´re producing some B&W films, which is great, but i don´t think they´de be capable of color film. Adox is another example, they do B&W, but they can´t do color even if they wanted to, because they lack machines, recipes, experts etc. .
Ferrania had the potential to do color and all this potential would have been lost forever if they didn´t had the machines etc. saved. It was the last and only possibility to save an enourmous ammount of special machines, no longer produced, and an enourmous ammount of knowledge, generations have worked decades for. I don´t want to look down on anybody, but were talking about a former western high-tech industry here. No former UDSSR film producer who somehow put out a film which had some colors - or no chinese "lucky"-something producer.
This is an insane ammount of jewelery were talking about here - and all of that would have been lost forever. FOR EVER, y´know `m sain`?
And to save that potential, that potential to produce color film and a lot of other emulsions, i would have backed them if they only would have saved the machines etc., without any reward.
But that´s obviously not on your mind - though Ferrania also is a traditional brand of italy and just by that it does have some "historical value". You wouldn´t tear down the colloseum, would you? Ok, extreme example, but you see where i´m heading to?
Public money invested in the technological estate of Val Bormida are not wasted. I believe that the area has a potential.And Berri, as you seem to be concerned about public funds being wasted:
I apreciate the work and the effort that has been put in this project, I know the guys at the lab are working hard nights and days to achieve the promised result and I, of course, give credit to them for that. I still don't believe that a colour reversal film willl ever be produced without some outside technical help.Therefore them guys at Ferrania are doing a tremendous job by just not quitting - by just staying alive though there were enough problems, enough reasons to quit, which the backers would have understood and accepted. Not every kickstarter is a success, you know?
Were I Dave, a passive 'carry on and don't let them dissuade you' approach like that would be very difficult. I'd be sooooo tempted to return fire with gusto. That's why Dave's in a job like his and I'm not.Dave, as I'm sure you know: 'Illegitimi non carborundum'
Nicely said Harry. I would not worry too much about Berri though. His opinions don't hold much weight here.
Nicely said Harry. I would not worry too much about Berri though. His opinions don't hold much weight here.
You might not agree with Berri's opinions, but there is no reason they should hold any less weight here than your or mine.
... since the article clearly states that the investment was in FILM Ferrania ...
I actually feel the same about your opinion, but usaually don't waste time one youActually, if you read his opinions, you may find a reason why they arent worth the electrons they are printed on. All opinions are not equal.
But could they do so without permission from Kodak or Kodak Alaris? the only film making IP that they probably own is for X-ray products. they are apparently making colour paper for KA currently, And I did get a few 16mm Colour work prints a few years back with edge print of KOD,AK which I subsequently learned was the code for Colorado, (at first I thought I was seeing KOD'AK - Kodak Limited London) But I don't know if the film was just finished there from Rochester master rolls or was coated there.Carestream in Windsor Colorado could make a fine film. They have the facilities and formulas.
PE
I am pretty sure they make the lomochrome colour negative film. in BW they make bergger films (very very good product, by the way) and ofcourse impossible (polaroid originals) filmAs far as Inovis Coat, they do have some Agfa Machines and former AGFA personnel, and formulas. they are hired guns in the coating business and so they would need a client who could negotiate with probably BOTH Agfa-Gevaert and Agfa Photo to have the rights to produce any of the old Agfa Formulas.
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