- Joined
- Apr 5, 2008
- Messages
- 2,816
- Format
- 35mm
Yes, this one (expiring 2017):
The update is very welcome and glad to see things have been advancing. Rome wasn't built in a day. It's good to read that despite the original plans could not be followed, this process allowed to consolidate and improve the factory for definitive production.
Also, the new timeline posted places production really soon! Good
Some February 13, 2016 excerpts I found interesting:
"Everything is now scheduled for the spring of 2016..."
"For market strategy reasons, the first film produced by FILM Ferrania will be a color reversal film in the following speeds: 64D, 100D, 200D, 400D, 640T, 800/3200T. Subsequently the introduction of a negative film is also scheduled (derived from last Solaris film) in 100, 200 and 400 ISO speeds. The release date of the negative film will depend on the market demand."
"The first film will be initially available in only 4 standard formats: 135 and 120 for still photography, as well as Super8 and 16mm (30m spool core and 122 meters) for motion pictures."
"In order to allow enthusiasts to develop films at home, we’ll provide all the necessary support documentation in a specific section of our website. Supporting users for this activity has been one of our goals from the beginning, and we are eager to share this information as soon as we can."
"Customers will be able to buy our products directly from our website, from selected dealers, or in the shops that want to keep them in stock."
"...with money raised from the Kickstarter campaign, we have bought the packaging and converting lines from the old Ferrania for almost all still and motion picture formats; it is a real insurance for the future of analog film."
"The coating machine that we have is very flexible in terms of productivity and it can be configured in different ways depending on the level of demand of the market. We are talking about color film that is normally produced with 16 emulsion layers, unlike black and white film that needs only 2 or 4. A plausible production level for the plant will settle in about 24,000 sqm/year of color material in our first year."
Ken
I cannot wait to get my hands on some of the 400 and 800/1600 emulsions! Post demise of Ektachrome 400 and Provia 400F, I have had to shoot much of my existing light color on d*****l, rather than my preferred film.
Hey Dave,
I think this person is onto it for DIY film processing!
It might be possible to partner up with him and market the machine?
Since Film Ferrania want to make it easy as possible for people to process their own film, this could be the answer.
Hey Dave,
I think this person is onto it for DIY film processing!
It might be possible to partner up with him and market the machine?
Since Film Ferrania want to make it easy as possible for people to process their own film, this could be the answer.
I didnt think it should cost that much to produce!Who wants an expensive piece of kit like that?
Only the guys with deep pockets, but these are in "aura" of the Leica M9 and other things.
With re-new interest in E6 by the photo public, then the rest will come suit: labs, technicians and machinery, proper E6 mini-lab machinery that is.
It is like a snow ball or so I hope!
Processing b&w by hand is easy, but colour films, especially E6 are very sensitive to temperature. I know many who have stuffed up by hand.I'm guessing such an automated system must be targeted toward those who have never hand-processed film before? And may perhaps be somewhat put off by a perception that it's really hard to do manually? Because that's certainly a lot of automation for what is essentially a very simple task. Unless, of course, one doesn't know how simple it really is.
In any case, I support anything that will move people, especially newcomers, into the film realm. There is also this less automated solution, for those who may already have an investment in a separate developing tank system:
TAS Film Processor
Ken
Your wishes are your commands: https://www.macodirect.de/en/cat/index/sCategory/832That's awesome news!
My first reaction was that speeds of 64, 100 and 200 were rather redundant and I hoped that the sales of three didn't spread the market over three films that would have bought one and hurt sales, but people seem enthused about 64. I'd only use 64 if it offered some really clear and substantial advantage or difference from the 100, but that's me. What I really miss is Provia 400X so the availability of a daylight 400 and tungsten 800 that's pushable is excellent news indeed.
Your wishes are your commands: https://www.macodirect.de/en/cat/index/sCategory/832
Processing b&w by hand is easy, but colour films, especially E6 are very sensitive to temperature. I know many who have stuffed up by hand.
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