Sharing our "favorite film" reveals a lot.
Mine is probably "The Ruling Class"


Didn't he do both in one film?
Sharing our "favorite film" reveals a lot.
Mine is probably "The Ruling Class"![]()

Andrey Rublev.
Didn't he do both in one film?
For all we know, the butcher might have installed a sink in his daughter's room over the weekend and Mr Khan might dabble in photography in his spare time. I think it's a very good analogy.We are not talking about isolated and unrelated technical professions here and moreover HCB was not speaking from ignorance.
If that's the case (and I frankly don't think that's a complete and accurate interpretation, but let's assume it is), then there's even more reason to disregard what he said as it's a highly personal/individual view that has no relevance for any other person by definition."color has laws, and I cannot master them under the constraints of fast, uncontrolled, real-life photography"
What's next, we should discuss whether HCB preferred his potatoes fried or cooked, and try to infer something from it? Start a "HCB re-enactment" troupe?

Start a "HCB re-enactment" troupe?
But you did a great job at the final scene!
We have some roles left but they involve wearing a dress and chain-smoking Gauloises; are you game?
What's next, we should discuss whether HCB preferred his potatoes fried or cooked, and try to infer something from it? Start a "HCB re-enactment" troupe?
A great example that if the composition is right, sharpness pales into insignificance.
But you did a great job at the final scene!
We have some roles left but they involve wearing a dress and chain-smoking Gauloises; are you game?
PS - I can make nothing of this upside-down, though.

Another opinion on color.
But who is that?
Hehe I left it intentionally as a riddle.
Some small hint: He was also a painter and photographed in color as early as 1910
I left it intentionally as a riddle.
Lartigue?
You could quote any number of irrelevant people, though. I don't know what the point is.
You'll notice, for instance, he says "truth is still in colour" when Cartier-Bresson would obviously consider a different idea of what that "truth" is supposed to be - and no one having to do with colour.
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