My usual technique is to have the camera rest, body + lens, in my left palm. Pretty much like this lady is holding it on the right. But Fuji GF670 cannot really be held this way because you'll be pushing the bellows. So I end up holding most of GF670's weight by its edge in my right hand, with just the focus ring and the opposite body corner resting on my left hand. The feeling is that the Fuji is resting on my hands, while any other camera is held in my hands.
That, in combination with its light weight, often leads to movement during the shutter squeeze. When I focus my attention on this, I do a lot better, but with other cameras the smooth shutter release is muscle memory at this point.
I don't see how any other folder can be different, since they all lack a lens barrel.
I used a Kenyon Gyro stabilizer years ago with a 16mm movie camera. It keeps the camera pretty steady, weighs a ton and you have to wrestle with it to move the camera for composition purposes. I believe motion picture steady-cam rigs have gyros. An every steady-cam operator I have met is a sturdy, strong person. Even the women.I have had varied success through the years hand-holding MF cameras. Some were much better than others.
Some were only good for flash photography when hand held. Others gave reasonably sharp images at 1/30 second.
I have never used a stabilization gyro like this but have considered it. I wonder if anyone else has used one.
I did just get a Rollei Hy6 but don't have enough film through it to see if it is the 'end all' camera for medium format hand held. It has a very convenient mirror lock up button (that lets you put the mirror back down if you decide not to expose!) and electronic shutter release with an electronic in-lens leaf shutter with light-weight blades.
When I release the mirror first, I can't detect any motion with my hands as I hold the camera and release the shutter. Seems absolutely amazing but I still need to print the pictures to see.
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I haven't really tried hand-holding at speeds below 1/60, but it seems fine there with some bracing against my body. I need to make the mirror lock-up/self-timer thing part of my repertoire. It certainly doesn't have the mass and inertia of the 6008i, but the mirror action seems a bit less harsh. I am starting to find the high-pitch whine of the motor wind at the end of the roll bit bothersome--not that that would affect anything but me and the subjects.How do you find your Hy6 handles slow shutter speeds?
Another vote for Fuji GW690, version III in my case. Much better usability than any Mamiya Press and even some MF cameras of smaller formats. It is big but surprisingly light and everything is as it should be. I didn't get used to the 90mm focal length even the lens quality is suberb and sold it, but it was a real joy to use.
There are many handholdable MF cameras: Hasselbald, Mamiya TLRs, Rollei SLRs and TLRs for starters.
No, for starters there's this.![]()
I easily used all the cameras that I mentioned in low light level settings without needing a tripod. You are hung up on the fallacious mirror bounce myth.
Rotation along X and Y is the main contributors to camera shake.I have had varied success through the years hand-holding MF cameras. Some were much better than others.
Some were only good for flash photography when hand held. Others gave reasonably sharp images at 1/30 second.
I have never used a stabilization gyro like this but have considered it. I wonder if anyone else has used one.
I did just get a Rollei Hy6 but don't have enough film through it to see if it is the 'end all' camera for medium format hand held. It has a very convenient mirror lock up button (that lets you put the mirror back down if you decide not to expose!) and electronic shutter release with an electronic in-lens leaf shutter with light-weight blades.
When I release the mirror first, I can't detect any motion with my hands as I hold the camera and release the shutter. Seems absolutely amazing but I still need to print the pictures to see.
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Right.I was speaking from experience, i.e only about cameras I own. Unfortunately couldn't afford a Hasselblad, but still dreamingAlso, the video is unimpressive:
- Camera is already stabilized on a flat surface
- The mass of the moving parts doesn't go left/right, so the penny had nothing to worry about
Then again, I've had decent results with Pentax 6x7's handheld down to quite low shutter speeds & with wider lenses - I suspect that cheap/ lightweight tripods are more to blame for all the problems people seem to have with them at middling shutter speed ranges...
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