You'd think that they'd have the machines and IP available for sale instead of just killing it!
I'm sorry, but what? Even if they were up for sale, who's going to buy them? New55 and Impossible have their hands full and pockets empty. Kodak? Ilford? Rollei? If not a film manufacturer with experienced people on hand to help make it work, who's going to buy the machines, ship them across the world and hopefully be able to recalibrate them (oh yeah, and buy the land and figure out whatever environmental controls/issues need to be dealt with), find the talent, find new sources for materials, and put up never-ending amounts of cash for years on end in hopes that it might start making a profit after all that? Assuming, of course, that the peel-apart crowd is still around, have kept their cameras, and are still interested in shooting the film after what will probably be at least a few years of no access?
The only way for this film to survive/be resurrected is if Fuji still has the machines and decides, someday, one day, to start production again. (Again, 99.99% not going to happen, but much more realistic than thinking some foreign business can come in and save the day.) I'm sorry to be so blunt, but I think people need to be realistic - not only in terms of Fuji as a film company discontinuing a minor, but well-loved product, but also in terms of how business/culture works in Japan compared to the west. (Not that I want to vilify Fuji - Kodak and Polaroid did the same thing, announcing the end of a product when basically they had already shut down the film lines and were running out of stock.)
If people really love instant film, they need to either bite the bullet and stock up on as much film as they can, no matter what the cost, and/or move on and support other film products that do have the very real and strong support of their manufacturers. Yes, Impossible and New55 film is expensive and still not quite the product(s) they were meant to replace, but they have dedicated people who have put a whole hell of a lot on the line to bring them back to the film fans. If they can start generating real profits maybe they could start looking at other film types/sizes (again, not something that would (if it ever could) happen again soon, but you know...)