Foma lists Fomadon LQR as a D-19 substitute. The R100 is said to be developed for 10 minutes in it.Hi
I've got some Fomapan R 100 to try and I've noticed that the Foma reversal kit uses the same developer as first and second developer. A quick look at the MSDS doesn't show any thiocyanate in the developer, a rather interesting fact. So, I'd like to process this film in D19, which might be a reasonable substitute for Fomadon LQN. Has anyone tried this combination and if so, what development time did you use? What would be the optimal exposure index?
As always, thanks in advance.
Foma lists Fomadon LQR as a D-19 substitute. The R100 is said to be developed for 10 minutes in it.
https://www.foma.cz/en/fomapan-R-100
Is it really optimized for reversal processing? I thought it was just the regular fomapan 100 emulsion, maybe coated onto a different base? The fomapan 100 datasheets suggests a similar dmax.DMax is around 2.75 as per this data sheet. That's a bit low for a film optimized for reversal processing.
Those dr5.com stellar DMax figures are meaningless. We have discussed it before. The human eye can't discern DMax higher than 2,4* so why bother?DMax is around 2.75 as per this data sheet. That's a bit low for a film optimized for reversal processing.
You'd better not using thiocyanate before a permanganic acid bleach, as per Kodak bulletin..
My respected greek friend ,,,
You know very well how much I love and respect the people of Greece.
This set of Fuma chemistry, maybe based on sodium thiosulfate instead of potassium thiocyanate, I say maybe, and this is really an option and you can get results that are absolutely OK, but they are not optimal results.
I once read a paper that says:
First: Thiocyanate's ability to comprehensively develop emulsion is unique and is better than Sodium Thiocyanate.
Second: The ability of permanganate for deep whitening is better than the ability of any other bleaching solution, whether (dichromate, or copper sulfate) ,,
I advise you to follow my personal experience .. Leave the Fuma recipe, it is not suitable for you, trust me.
- This file was sent to me by dear brother (Raghu) the Indian, may God bless you, and this recipe has caused me a wide fame in Egypt now,
These are some of the results of this recipe.
The first and second pictures, Ukrainian Astrom ISO 200 ortho film with dichromate bleach.
Third image: Ilford Pan 100 film with permanganate.
You can notice the difference.
The Fomapan R 100 has an additional layer based on silver, probably an AHU layer, that is removed during the bleach stage (thus the extended 8 min bleaching step). Infact you can't develop the Fomapan R 100 as a negative.Is it really optimized for reversal processing? I thought it was just the regular fomapan 100 emulsion, maybe coated onto a different base? The fomapan 100 datasheets suggests a similar dmax.
You'd better not using thiocyanate before a permanganic acid bleach, as per Kodak bulletin.
The Foma kit first developer possibly does not contain any silver halide solvent.
There's no discernable difference between thiocyanate and thiosulfate except that the latter doen't keep very well in solution (that's the reason it is not used in commercial kits) and it is more difficult to calibrate the exact amount needed.
issue with permanganate?- With regard to the issue that permanganate is of unknown quantity, this is very old and repeated talk, you lack research and diligence, my dear ,,
Review this document and you will know that you did not make the necessary effort to search.
Agfa patent EP1006408B1
20g sodium hexametaphosphate
2g potassium permanganate
27ml sulfuric acid 20%
PH 1.4
Those dr5.com stellar DMax figures are meaningless. We have discussed it before. The human eye can't discern DMax higher than 2,4* so why bother?
*as per Grant-Haist book
Yes, right, I agree with you, esteemed sir.At least two people in this forum who have seen B&W slides with much higher DMax than Foma-R have confirmed that they were able to see details in the deepest shadows of such slides. Key thing is direct viewing of the slides and not the projection on screen.
direct viewing is not what slides are for!At least two people in this forum who have seen B&W slides with much higher DMax than Foma-R have confirmed that they were able to see details in the deepest shadows of such slides. Key thing is direct viewing of the slides and not the projection on screen.
Yes, but for use with Orwo materials (UN54)This is an official recipe used by the company (Filmotec) that currently owns the trademark (ORWO).
direct viewing is not what slides are for!
There are no 8x10 or even 4x5 projectors.If you're talking about 35mm slides, I can understand. But what about 4x5 or 8x10 slides or even medium format 6x9 slides?
There are no 8x10 or even 4x5 projectors.
The slides, even medium format ones, are meant to be projected.
The Fomapan R 100 has an additional layer based on silver, probably an AHU layer, that is removed during the bleach stage (thus the extended 8 min bleaching step). Infact you can't develop the Fomapan R 100 as a negative.
Are you referring to the ECN process and the rem jet layer?Even C41 films have a silver layer which gets removed during the bleach stage, but we know that such films can be developed nicely as B&W negatives thanks to @David Lyga's method. It should be possible to develop Fomapan-R as negative using a similar method albeit with some loss of speed.
Oh yes, 4x5 for sure. Rare as hen's teeth of course. But they are out there alright.There are no 8x10 or even 4x5 projectors.
Of course but it reflects in how you develop the film (B&w slide)Besides, how anyone wants to view their images is up to them. Nothing wrong with, say, mounting 4x5, 5x7 or 8x10 in a backlit frame for instance.
Are you referring to the ECN process and the rem jet layer?
C41 films have silver in it, that is developed in the developer and then removed later in the bleach, but nothing has to do with Fomapan 100 R structure.
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